On a rock by the shore sits a mermaid fair
Dreaming of her lost lover as she combs her hair
Kelpies, and selkies, and the great snakes of the sea
All stop and listen as she sings of a love never to be
For the sailor she saved from those dark, storm-tossed waves
Got back on his ship, and sailed away
Now the mermaid’s alone, with broken-hearted dreams
And far, far away the sailor stares out at the sea
What if the Loch Ness monster is more than a myth?
Where did the Lady of the Lake go after leaving Avalon?
Can a mermaid ever truly leave the sea, and follow her lover to land?
This collection includes fifteen tales about sirens, kelpies, mermaids, sea monsters, naiads, and other enchanted creatures of the water.
Enjoy the magic and wonder of these watery tales of Faerie!
Lina asks the sea to return her fisherman husband in Jaime Lee Moyer’s “Ocean Daughters.” A mermaid comes to shore to answer Lina’s call, and offers a bargain…but is Lina willing to pay the price?
In modern day New Hampshire Guinevere, now a blacksmith, and the Lady of the Lake, guard King Authur’s magic sword in Karen L. Abrahamson’s “The Lady of Ashuelot.” When Lancelot arrives and demands the sword back it distrubs the peace the two women have built. Now Guinevere must decide whether to spend the magic of the sword to revive Arthur and Camelot, or to preserve her modern world.
In “The Best Disguises,” by Grayson Towler, Moira heads to Scotland to search for the Loch Ness monster, and to prove to herself that the friend—and monster—she’d met when visiting Scotland as a child had actually been real. What she finds is unexpected…because sometimes the best disguises are so good that you sometimes forget who you really are.
Trapped on an island with an abusive husband, Selene struggles with her fear of the sea every day in “I Sing a Song of Mourning,” by Dayle A. Dermatis. But when her husband abandons her to drown, the mermaids give Selene the power to exact her revenge. How she chooses to use that power—and how she faces her fear—will change her life forever.
After the Christians riot in front of Dionysus’ temple in Thea Hutcheson’s “Coming into the Iron Age,” Mneme, a water muse, and the satyr Krotos head to the mountains to escape. All the old gods have scattered, and the rest have faded into obscurity. What kind of life can a water muse live in this new age of iron?
John falls asleep while sailing in the Virgin Islands, and wakes up to find himself in the middle of the ocean, with land nowhere in sight, in Jamie Ferguson’s “Learning to Sail.” With no safety equipment, and no way to determine which direction land lies, he prepares for his impending doom…and then a mermaid appears in the water next to his boat.
Anthea Sharp’s “The Sea King’s Daughter” goes deep beneath the Irish Sea, where a kingdom beyond mortal men’s imagining lies. The daughter of the Sea King journeys to the surface, and leaves her tail behind so the fisherman she’s fallen in love with believes she’s a beautiful maiden washed ashore. She cannot speak to him in any voice, though her yearning shines from her eyes. But with forces of land and sea arrayed between them, will the couple ever find their happy ending?
Oz heads to a seaside town in Ireland to take photos of the wee folk at the bequest of his grandmother’s will in Brenda Carre’s “The Selkie’s Treasure.” Fairies don’t exist, of course, so he knows his quest is futile…or is it?
A mermaid falls in love with the man she rescued from the sea in “Blood and Water” by Alethea Kontis. She’s willing to pay any price to be with him, for she loves him more than life itself. But is the price of love too high?
Louisa Swann’s “Verbena Draws First Blood” is the tale of a deadly sorceress and powerful necromancer who heads to a lake high in the mountains to thwart her nemesis. But she didn’t expect the lake to contain a kelpie…
Three days after Japanese torpedoes hit the USS Indianapolis, Gordie is one of some six hundred US Navy sailors slowly dying in the middle of the Pacific Ocean in Brigid Collins’ “The Road Beneath Indianapolis.” There’s no food, nothing to drink but salt water, and sharks are feeding off the men. Or are they really sharks?
It’s 1934 in DeAnna Knippling’s “Of Drought and Harsh Moonlight.” Claudine lives in a small town stricken by drought and poverty. Change arrives when a sweet-faced, dark- haired, whistling man shows up…but why did he come to town? And how did he know the new bridge had been destroyed when the newspaper hadn’t come out yet?
Linda Jordan’s “Awakening” tells the story of Merial who, just before her sixteenth birthday, learns she’s only half naiad—the father she’s never seen is a dryad. She leaves the water and heads for the forest to find him, and finally understands who she really is.
In Deb Logan’s “Selkies in Paradise,” the seers Artie and Jed are on their honeymoon in Hawaii, far away from the terrors they’ve fought together in other parts of the world. They come across a sad young woman staring out to sea, and realize she’s a selkie—but her sealskin has been stolen, and she can no longer return to the water.
Hagen von der Lahn goes on a treasure hunt in the deepest gorge in France in Sharon Kae Reamer’s “A Recipe for Disaster.” But the historian he’s working with is searching for a different kind of treasure, one which involves poison, an ancient knife, and tangling with a river guardian.