Bevel and Emboss basics with Photoshop

Beveling and embossing is a way to create shading and simulate shadows that make your text look three-dimensional.

Here’s the same text without and with beveling/embossing.

And here’s a close-up so you can see how different the same text can look.

Prerequisites

  • You have Photoshop
  • You have an existing text layer in a .psd file.

How to bevel and emboss text

  • Right-click on the text layer you want to edit, select Blending Options, and then select Bevel & Emboss.
     

     
  • Adjust the settings as desired, then click OK.
     
    Here are the settings used in the examples above.
     

     
  • In the layer view, right-click in the Effects section under the layer name, and then select ‘Bevel & Emboss’.
     

     

What do all those options mean?

The best way to find out is to try them out. You can see the text effects in your document if you check the Preview box.

The advantage of this approach is that by experimenting you’ll see firsthand how everything works, and you might come up with a combination of settings that you wouldn’t have found otherwise; the disadvantage is that experimenting takes time.

But never fear – here’s a cheat sheet! 🙂

There are three groupings of settings:

  1. Bevel & Emboss
  2. Contour
  3. Texture

Bevel & Emboss

Bevel & Emboss options are broken up into the categories Structure and Shading.

  • Structure
    • Style
      • Inner/Outer Bevel – applies the bevel to the inside or outside of the text.
      • Emboss – applies the bevel to both the inside and the outside of the text.
      • Pillow Emboss – applies the bevel to both the inside and the outside of the text, but in opposite directions from the regular ‘Emboss’ setting.
      • Stroke Emboss – applies the bevel only to the stroke (this only works if you have a stroke effect applied to the text).
    • Technique
      • Smooth – creates a smooth, rounded edge.
      • Chisel Hard – creates a hard, chiseled edge.
      • Chisel Soft – creates a rough, chiseled edge.
    • Depth
      Increases the three-dimensional depth. A higher value creates a larger amount of depth.
    • Direction
      Specifies whether the bevel & emboss should be extruded toward or away from you.
    • Size
      Specifies the overall size of the bevel & emboss on your text. A smaller number will limit the bevel/emboss to slower to the edges of the text, whereas a larger number covers more of the text.
    • Soften
      Specifies how soft the edges should be.
  • Shading
    • Angle
      Specifies the horizontal position of the artificial light source.
    • Altitude
      Specifies the vertical position of the artificial light source.
    • Gloss Contour
      Allows you to create glass and metallic effects.
    • Highlight Mode
      Specifies the blend mode for your highlights, as well as the highlight color and opacity.
    • Shadow Mode
      Specifies the blend mode for the shadows, as well as the shadow color and opacity.

Contour

Contour allows you to specify the shape of your bevel.

  • Contour
    Specifies the shape of the bevel.
  • Anti-aliasing
    Smooths the contour.
  • Range
    The range percentage modifies how much of the bevel the contour should apply to.

In this example, every setting is the same except for the contour shape.

Texture

Texture allows you to add a texture to your text.

  • Pattern
    Select a texture pattern to apply to the text.
  • Scale
    Increase or decrease the size of the pattern.
  • Depth
    Adjust the three-dimensional depth.
  • Invert
    Check this box to invert the pattern.
  • Link with Layer
    Lock the pattern to your text layer so if you later move your layer, the pattern will move with it.

In this example, every setting is the same except for the texture.

References

Photoshop version

The version of Photoshop used for this post was the 2017.1.1 Release of Adobe Photoshop CC, 20170425.r.252 x64, on OS X 10.10.5.

   
 

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Bundle story: “Old Spice Love Knot” by Steve Vernon

“She formed from the shadows, like a whisper of smoke braiding together into a physical form. She was standing there in front of me, a drab and lonely looking girl with long straight black hair that was gently smoked with a hide-and-go-seek of gray.
 
Penelope.
 
Shaking her head as if to tell me that this was not the thing to do.”

 
A short and eerie ghost story of the love that a maritime father had for his only daughter.
 
 
“Old Spice Love Knot” is in the Haunted bundle. You can learn more on BundleRabbit, Goodreads, and the bundle’s Facebook page.
 


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About the Author

Steve is a writer and an oral tradition storyteller; he learned the storytelling tradition from his grandfather, and regularly tells stories to in-person audiences ranging from 5 to 5,000 spectators. He writes horror, paranormal, dark fantasy, and ghost stories, and specializes in the fine old art of booga-booga.

Think of Steve as that old dude at the campfire spinning out ghost stories and weird adventures and the grand epic saga of how Thud the Second stepped out of his cave with nothing more than a rock in his fist and slew the saber-tooth tiger.


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Formatting KDP book descriptions using Ablurb

Ablurb is a simple tool that allows you to preview the formatted description (blurb) for your book before making it live on Kindle Direct Publishing (KDP).

If you’re comfortable with HTML, you might not need to see a preview. If you don’t regularly write HTML, or if you just want to verify that what you wrote works before making it live, Ablurb is a quick and easy way to preview what you’ve written.

Here’s what it looks like when you write a blurb in the KDP editor. You can use HTML tags, but can’t see what the final version looks like.

How to use Ablurb

Go to Ablurb, type your text in, and the formatted version will appear at the bottom of the page. The allowed HTML tags are listed underneath the text box.

Once you’re happy with it, copy and paste the text from the text box (i.e. with the HTML tags) in to the description field for your book in KDP.

There are lots of things you can do – use headers, italicize text, even change the font color. Just remember to not go too crazy. 🙂

References

   
 

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Bundle story: “Skywalkers” by Marcelle DubĂ©


 
Night after night, Gisèle roams the streets of Montreal near the half-built Great Victoria Bridge, searching for whatever is unraveling the warp and weft of her island city.

What she finds shakes her belief in herself, and reveals an ugly truth about the Fey who live in uneasy proximity to the humans.
 
 
 
 
 
“Skywalkers” is in The Faerie Summer bundle. You can learn more on BundleRabbit, Goodreads, and the bundle’s Facebook page.
 


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About the Author

Marcelle Dube grew up near Montreal. After trying out a number of different provinces – not to mention Belgium – she settled in the Yukon, where people outnumber the carnivores, but not by much. She has worked as an editorial assistant, a newspaper librarian, an accountant, a military policewoman and a communications officer. All things considered, she prefers sitting in a warm, comfy room and making stories up. She also writes occasionally under the pen name of Emma Faraday.

Her novels have been published by Carina Press and Falcon Ridge Publishing. Her short fiction has appeared in Superhero Universe: Tesseracts Nineteen; Fiction River: Moonscapes; Masked Mosaic: Canadian Super Stories; On Spec Magazine; Polaris: A Celebration of Polar Science; Open space: A Canadian Anthology of Fantastic Fiction; and Challenging Destiny 25, among other places.


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Formatting basics: ellipses

Ellipses are used to indicate ‘omissions’ of words, sentence, thoughts, etc.

Overview

There are a number of different ways in which ellipses can be used, and there are a variety of often conflicting style rules/recommendations on how ellipses should be formatted. This post covers the basics – there are lots of situations where ellipses can be used, and a surprising amount of variations for how to use them. Refer to your favorite style guide or go with your personal preference for more complex situations.

The most important thing is to research your use cases and make sure you’re consistent throughout your manuscript.

I highly recommend creating a checklist or cheat sheet. It will only take a tiny bit of time, and it will save you from having to look up and think about grammar rules when you’re formatting a manuscript.

Ways to represent an ellipsis

An ellipsis consists of three dots. There are three ways to represent this:

  • By actually using three dots: …
  • By using the ellipsis character: …
  • By using three dots, with spaces in between the dots: . . .

The first two options will generally look the same, or almost the same, depending on your browser, word processor, etc.

Formatting

These are a few of the more common use cases.

  • Spaces on either side of an ellipsis

    There is usually a space on each side of an ellipsis. For example:

    This was the last time …

    However, there are different schools of thought on this, so decide which approach to follow and be consistent.

  • When to use four dots

    Use four dots instead of three if you’re using an ellipse at the end of a complete sentence. This is technically a period followed by an ellipse, and is used to indicate that there’s a gap in between two sentences.

    Once again, she had forgotten to put on her wings…. She opened the door and walked in.

  • Handling exclamation points and question marks
    If a sentence ends with an exclamation point or question mark, and there’s an omission between it and the next sentence, use an ellipsis.

    Why did she leave …? Why couldn’t she have stayed?

    Or put the ellipsis after the punctuation mark, if the omission occurs in between the two sentences.

    Why did she leave? … Why couldn’t she have stayed?

References

   
 

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Bundle story: “Home is Where the Cauldron Bubbles” by Brigid Collins


Mathilde Blackmore needs to move out of her mother’s house pronto, but her new home has to meet some specific requirements in order to be a proper place for an independent young witch like herself.

Ben Wilson promised himself long ago that he’d never again do anything foolish for the sole purpose of impressing a woman. He’s happy with his successful life as a single realtor, but his latest client has him feeling off his usual game.

Sparks fly and magic flows as the two hunt for the witchiest of houses together, until neither of them can deny the attraction between them.
 

“Home is Where the Cauldron Bubbles” is in the Witches’ Brew bundle. You can learn more on BundleRabbit, Goodreads, and the bundle’s Facebook page.


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About the Author

Brigid Collins is a fantasy and science fiction writer living in Michigan. Her short stories have appeared in Fiction River, The Young Explorer’s Adventure Guide, and The MCB Quarterly. Her fantasy series, Songbird River Chronicles, are available in print and electronic versions on Amazon and Kobo.


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How-to: Title capitalization tools

It’s generally pretty easy to figure out which words to capitalize in a story title, but every once in a while there’s one word you’re not sure about, or else you’ve had one of those days where you keep making simple mistakes and you just want a sanity check. 🙂

Capitalization rules

There are a variety of approaches for capitalization of English titles here are some of the major ones.

  • Chicago Manual of Style
    General style guide.
  • APA style (American Psychological Association)
    Used for writing journal articles and academic books.
  • MLA style (Modern Language Association)
    Commonly used when writing papers and cite sources within the liberal arts and humanities.
  • AP style (Associated Press)
    Created for use by news organizations, but commonly used for all kinds of writing.
  • Wikipedia’s Manual of Style
    Used for Wikipedia articles.

What capitalization tools are available?

Here’s a list of some useful tools.

  • Capitalize My Title
    Suports APA, Chicago, AP, and MLA styles.
     

     
  • Headline Capitalization
    Suports APA, Chicago, AP, and MLA styles.
     

     
  • TitleCap
    Supports AP and Chicago styles.
    Allows you to force capitalization of any word five or more letters long.
     

     
  • Title Case Converter
    Support AP, Chicago, MLA, and Wikipedia styles.
    Allows you to to specify that words in all caps should be left alone, and if you check the “Show Explanations” box it will explain why a word was/wasn’t capitalized.
     

     

References

   
 

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Bundle story: “Your Cheatin’ Heart” by Rebecca M. Senese

Following a cheating husband and his tarty blonde, PI Tiffany Waters witnesses the explosion of the lover’s motel. The police find only one body: the husband.

Now Tiffany must save her own husband from a mystery man who demands her photos of the lovers’ meeting. But how can two copies of the same photo be different? How can the blonde in the photo blink?

Love burns.
 
 
“Your Cheatin’ Heart” is in the Fantasy in the City bundle. You can learn more on BundleRabbit, Goodreads, and the bundle’s Facebook page.
 


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About the Author

Based in Toronto, Canada, Rebecca M. Senese writes horror, science fiction and mystery/crime, often all at once in the same story. Garnering an Honorable Mention in “The Year’s Best Science Fiction” and nominated for numerous Aurora Awards, her work has appeared in Fiction River: Visions of the Apocalypse, Fiction River: Sparks, Fiction River: Recycled Pulp, Tesseracts 16: Parnassus Unbound, Imaginarium 2012, Tesseracts 15: A Case of Quite Curious Tales, Ride the Moon, TransVersions, Deadbolt Magazine, On Spec, The Vampire’s Crypt, Storyteller, Reflection’s Edge, Future Syndicate and Into the Darkness, among others.


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Interview: Steve Vernon, on “The Wishing Ring of Old Queen Maab”

Now available via BundleRabbit as part of The Faerie Summer bundle.

Find the author at:

Website | Twitter | Amazon | Goodreads

 
Greetings! I am freelance writer, editor, and designer DeAnna Knippling; I am interviewing authors for for Blackbird Publishing because a) thumbscrews and b) bribery.

Today’s author is Steve Vernon, whose story “The Wishing Ring of Old Queen Maab” is available in the Faerie Summer Bundle on BundleRabbit and other sites.

The questions:

While this was a bundle all about faeries (i.e., otherworldly fae creatures), yours was the most fairy-tale (i.e., folk tale) faerie tale of the bunch. Was that deliberate? Faeries and fairy tales don’t always overlap, so this is not an idle question. Faeries don’t always teach us lessons, unless it’s “well, that was random…maybe don’t go looking for the Fae.”

Steve: I guess that I am just plain in love with the old traditional fairy tale, and when Jamie Ferguson (the BundleRabbit curator), asked me for a tale of the Fae, I just went with my strong point and ran straight for a fairy tale. The truth is, I didn’t realize I was being all that different than any of the other contributors. When I put together my next story, for the next collection of Fae stories, I might try to do things a little differently and learn from my mistakes.

Which fairy tales, if any, did you draw from? There were a couple of places where I went, “Arabian Nights? Game of Thrones? Er…R.A. Lafferty? Carnivale?”

Steve: Oh gosh, I don’t have the kind of catalogue in my brain that could tell you exactly which style of fairy tale that I drew from. Or, if I do have that kind of a catalogue in my brain, the pages are most likely water-logged and swollen into oblivion. The “wishing ring” story itself is loosely based upon a tale with both French and Celtic roots, but I tend to throw in whatever I think fits into a story like this. I cook my stories like a good pot of soup, throwing in whatever suits my fancy or happens to be in the refrigerator. My mind is a bit of clutter-box and I tend to hoard folklore and I throw it like fistfuls of steaming wet pasta, at the half-open cupboard doors of my story as I write it.

I occasionally mix metaphors, just as freely and frequently as I feel.

What are your favorite faerie- or fairy-tale retellings? Or do you prefer them to be the kind of stories that head off cackling into new territory?

Steve: I am a big fan of Neil Gaiman. No modern writer that I can think of does a better job of retelling old folklore. I also draw a lot of inspiration from Bill Willingham’s comic book series, Fables. But, if I had to narrow my choice down to a single favorite I would have to lean towards something that certain young readers might find a little bit obscure. I am talking about the 1971 television series, Story Theater, that retold ancient fairy tales and fables with the help of actors such as Alan Alda, Avery Schreiber, Peter Bonerz and Valerie Harper. Their bare-bones adlib homespun storytelling really captured my young imagination.

I wonder if anybody out there remembers that television series. For some reason it has NEVER been collected in DVD format. I have a hunch that the episodes are tied up in some weird ownership dispute.

I know that fairy tales are supposed to be teaching tools, but…they also scratch an itch for the reader. (I mean, they must; they’ve survived over hundreds of years.) What, to you, is the itch that a fairy tale (not necessarily a faery tale) scratches?

Steve: Telling a good fairy tale is like painting with water color. It is a very forgiving medium. A well told fairy tale is a like a spool of fresh cotton candy, all poof and sugar and transient sweetness. I leave the teaching to smarter folk than myself.

Do you feel like you had to adjust your style in order to pull off this book? In other books of yours, you seem to have a more complex style, but I spotted a couple that feel pretty stripped down. Who is your favorite traditional fairy-tale teller?

Steve: I am pretty sure I didn’t adjust too much with this story. I had told it once or twice, and had originally written it down for the second wedding ceremony of an old friend, although the names were changed. It had just been sitting there in the attic of my imagination, just waiting to be written down.

As for my other books, they are all over the map. It is a failing of mine, I am afraid. You pick up a book by Steve Vernon and there is no telling what sort of a style you are going to encounter. Some of that variation is dictated by market. For example, I have seven regional Nova Scotia books, released by a local publisher here in Halifax (Nimbus Publishing), that I have to scrupulously avoid any Americanisms and/or four letter words.

and last but not least, the bonus question: 

Is there any note that you’d like to leave your readers on?

Steve: Well, it is my birthday this month and for the entire month of August 2017 I have marked down all of my independently released Kindle e-books to 99 cents. [Ed. — Some of the books are also free.] So if you were looking to try out any of my indie book releases this is the month to do it!

Steve Vernon has been writing and telling stories for over forty years. If you want to picture him just think of that old dude at the campfire spinning out ghost stories and weird adventures and the grand epic saga of how Thud the Second stepped out of his cave with nothing more than a rock in his fist and slew the saber-toothed tiger. If you want to help Steve Vernon out then go and buy Steve’s books. Buy them quickly. His family is beginning to wonder just when the heck Steve is going to get around to getting himself a REAL job.

DeAnna Knippling is a freelance writer, editor, and book designer living in Colorado. She runs Wonderland Press, a micropublisher of curious fiction and non-fiction for iconoclasts.
 

   
 

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Bundle story: “Frock Coat Dreams” by J. Daniel Sawyer

The author of The Antithesis Progression and The Clarke Lantham Mysteries brings you delicate, humorous, and brutal visions of a future that never was and a past that might have been. Here you will find collected tales of satire, romance, whimsy, and comic horror to delight every sensibility.

Contains:

“Train Time”

“Sleep, Walk”

“On Matters Most Austere”

“A Goblet of Fifty-Three”

“Angels Unawares”

and “Cold Duty,” the story that Steampunk Scholar Mike Perschon calls “…probably the single best steampunk short story I’ve read.”

Plus a new introduction and six new poems
 
 
“Frock Coat Dreams” is in the Haunted bundle. You can learn more on BundleRabbit, Goodreads, and the bundle’s Facebook page.
 


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About the Author

A longtime award-nominated audio/video producer and tech journalist-turned-novelist, J. Daniel Sawyer’s abusive behavior toward the English language finally landed him in trouble with the release of his hard-boiled Clarke Lantham Mysteries. When not speculating about crime and punishment, or laying out twisted visions in his sci-fi thriller series The Antithesis Progression or his cabin fever comedy Down From Ten, he bends his mind toward corrupting his fellow authors with educational books like Throwing Lead: A Writer’s Guide to Firearms (and the People Who Use Them) and Making Tracks: A Writer’s Guide to Audiobooks (and How To Produce Them).

On the rare occasion that he escapes his cavernous studio to see the light of day, he slips away into the wilds of the San Francisco back country where he devotes his energies to running afoul of local traffic ordinances in his never-ending pursuit of the ultimate driving road.


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