Working with grids in Photoshop

Sometimes you can eyeball the spacing in an image, and sometimes it’s helpful to use a grid to make sure things are lined up correctly. Photoshop allows you to specify the distance between your gridlines, the style and color of the lines, and you can toggle them on and off.

Toggle gridlines on/off

  • View > Show > Grid
  • Keyboard shortcuts:
    • Mac OS X: ⌘ + ‘ (apostrophe)
    • Windows: control + ‘ (apostrophe)

Modify grid preferences

  • Toggle gridlines on if you’d like to see what your setting changes do. Note that you can toggle them on/off while you’re editing your preferences.
     
  • Go to Guides, Grid, & Slices:
    • Mac OS X: Photoshop > Preferences > Guides, Grid, & Slices
    • Windows: Edit > Preferences > Guides, Grid, & Slices

     
    The Preferences dialog will be displayed.

  • Modify the settings in the Grid section.
    • Color – this will change the color of the gridlines.
       
    • Style – this changes the style of the lines displayed in the grid.
       

       
    • Gridline Every – sets the spacing between gridlines. You can change the units to be inches, pixels, a percentage of the image, etc.
       
    • Subdivisions – sets the number of times each grid section will be further divided. Gridlines will show as slightly more obvious lines than the subdivision lines. For example, in this image the gridlines are solid, and the subdivision lines are dotted.
       

       
  • Click OK to save your changes.

References

Photoshop version

The version of Photoshop used for this post was the 2017.1.1 Release of Adobe Photoshop CC, 20170425.r.252 x64, on OS X 10.13.1.

   
 

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Story spotlight: “We, the Ocean” by Alexandra Brandt


When Thalassa’s Children—the mer-like, genderless protectors of the ocean—experience the trapped and suffocating death of one of their own, a single member chooses to take action. Against the wishes of the collective mind.

But can a lone mer ever hope to convince the humans of what they have done to the ocean, in a language they will understand?

And will it be worth losing everything?
 
 
“We, the Ocean” is in the Beneath the Waves collection. You can learn more on BundleRabbit, Goodreads, and the collection’s Facebook page.
 


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About the Author

Alexandra Brandt spent most of her childhood dressing up in fairy wings and parading in front of the mirror telling stories to herself. Not much has changed – she still loves a good costume, and tells herself stories every day. Her short stories currently appear in Fiction River anthologies and your favorite ebook retailers.

When not spinning tales, reading, or debating worldbuilding details with her writer husband, she writes web copy and functions as a content marketer and graphic designer. She also dabbles in art, watches too many Sci-Fi TV shows, and welcomes any excuse to sit down and play tabletop games – from D&D to board games to cards.


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Interview: Jenna Elizabeth Johnson on “Bane and Balm”


 
“Bane and Balm” is in the Once Upon a Quest anthology, a collection of fifteen tales of adventure, all brand new fairy tale twists from bestselling and award-winning authors. With inspirations ranging from The Ugly Duckling to Snow White, and everything in between (including trips to Camelot and Oz), these fabulous tales are full of adventure, magic, and a touch of romance.

Meet Jenna!

Jenna writes fantasy and young adult paranormal romance. She’s a talented visual artist as well as a writer, and creates the images and maps she uses for her various worlds.

“Bane and Balm”

When the stream providing healing water to Claire’s sick aunt dries up, she must venture into the dreaded Dorcha Forest, where she discovers a stranger willing to risk his freedom in order to help her on her quest.

Claire snapped out of her daze and blinked down at her dark rescuer once again. He had removed one of his gloves to reveal a pale hand, which he now held palm out toward the tree. The pull of magic, the stranger using his glamour, tugged gently at Claire’s senses and the fire eating away at the beech slowly died.

The eagle stretched its wings and clicked its beak, tilting its head upwards.

“In the tree?” the man murmured, his low voice growing quieter.

But Claire had heard the words anyway, panic gripping her heart. The stranger tilted his head and gazed into the branches above. She held absolutely still, not daring to move.

Perhaps he won’t see me, Claire thought hopefully.

The man’s hood fell back, and his eyes met hers. Claire sucked in another breath. This man looked nothing like the young farmers in her valley. His pale skin was smooth and unblemished, his eyes a severe, golden brown, so bright they reminded her of a wolf’s. Hair black as coal hung in unkempt strands around a haunted face of masculine beauty, and his mouth was drawn in a hard line. A mouth that probably never smiled.

– from “Bane and Balm” by Jenna Elizabeth Johnson

The Interview

“Bane and Balm” is loosely based on “Red Riding Hood.” What inspired you to use aspects of this particular fairy tale?

When Anthea reached out to me about participating in another Once Upon anthology, I had already started work on “Bane and Balm”. It was very much in its infancy, but I felt that “Red Riding Hood” was the closest match with where I had gone so far with my story. Claire, my main character, was already standing out as a bold young woman and I knew the answer to her plight waited in the heart of the haunted wood behind her home. I added in the element of the red cloak and the wolfish stranger to make it more like the original tale, but it’s very much its own Otherworldly fairytale. In a way, I kind of cheated, but I’m very happy with the story that evolved from what started out as the spark of an idea. Making “Bane and Balm” my submission for Once Upon a Quest helped give the tale and its characters direction and depth.


 
 
You’ve been a part of the Once Upon anthology series from the beginning. How did the series begin, and what do you enjoy about participating in it?

My involvement in these anthologies actually goes back a little further than Once Upon A Curse, the first Once Upon collection. Anthea first asked me to take part in the Faery Worlds anthology way back in 2013, and I jumped at the chance. Since then, any time I’m invited, I’m happy to take part. It gives me a chance to explore my world more (so far, all my stories have been from my Otherworld universe), and having a deadline for the short stories helps keep me productive. When Once Upon A Curse came along, I was challenged to write something new (all the other anthologies included previously published pieces).

I think what I most enjoy about being a part of the Once Upon anthologies is the challenge of creating more fairytales for my Otherworld universe, and getting to collaborate with so many wonderful, talented authors. Sorry, that was two things!


 
 
“Bane and Balm” is set in the land of Eile, which is also the setting for your Otherworld series. What inspired you to create this world?

My Otherworld series, and Eile (what the natives call the Otherworld), emerged from my time spent in my Celtic Studies classes during college. I wanted to bring Celtic mythology to life the way Rick Riordan opened up Greek mythology to his readers in the Percy Jackson books. There are some really cool stories and characters in Celtic lore and I wanted to share my love of these legends with readers, young and old.

Many of the locations in Eile itself are based on Ireland, Scotland, Wales, England. Pretty much the Celtic nations and British Isles. I actually hadn’t been to any of those places before starting my books (hurrah for Pinterest and Google images!), but I was able to make it to Ireland a few summers ago, so now I have my own experience to draw from.

The setting for Faelorehn (the first book in the series) takes place mostly in my hometown of Arroyo Grande, and the wooded swamp area Meghan (my main character) visits is an actual location. There is just something about that place that feels Otherworldly to me, so of course it made its way into my series. I also highlight a few other locations (the old village in town with its swinging bridge, one of our local beaches, a cool little post office and gift shop). It was a lot of fun featuring these places in my Otherworld series because every time I visit them I get to step into the story. And I’ve heard from many of my local readers that they just love reading about paranormal and magical events happening right where they live.
 
 
You practice both long sword fighting and target shooting with your longbow. How did you get started with these crafts, and what appeals to you about them?

Ha ha! I don’t get much archery in these days, but I still have my longbow and arrows! I have to give credit to my friend Laura for this. I’ve always liked the old arts of war (I’m a nonviolent person, I swear!), but Laura actually took the steps to make things happen. I got into sword fighting while at my first book fair in town. The author next to me had a daughter who was taking classes, so we got her number and a few years later, met our coach. I’ve stuck with it for several years and go to class when I can. I’m by no means at a competitive level, but I enjoy doing it and it definitely helps whilst writing fighting scenes in my epic fantasy series. Someday, I need to get back out onto the range with my bow.

I can’t say what makes these activities more appealing than others. Maybe it has to do with the fact that you must rely entirely on your own skill and body to perform well while swinging a sword or shooting an arrow into a target. Longswords and longbows are both somewhat primitive, the bow more so than the sword, and maybe it’s the fact that my Viking and Celtic ancestors probably used these weapons that also makes these activities so appealing to me.
 
 
What types of mythology do you most enjoy, and why?

Oh my goodness, Celtic mythology by far is my most favorite. I loved it so much I took as many classes on the subject as I could in college. I think it links back to my ancestry (I’ve got some Celtic roots) and there is just something that appeals to me about the Celtic Isles. Maybe it’s the nearly constant gray skies, or the mountains and hills, or the music, or the fact that trees are sacred to the Celts (I love trees). I also love Norse mythology and took a few Norse myth classes alongside my Celtic classes. Of course, in high school I was really into Greek mythology (Xena and Hercules!), but I think on a whole, I’m fascinated by all mythologies of every culture. At their core, ancient myths and legends are a reflection of a culture and the beginning of storytelling. As an author, I am always amazed by the wonderful stories our ancient ancestors wove to explain the world around them. We, as authors, are carrying on that legacy and it’s so important not to forget that storytelling is at the heart of our existence as human beings.
 
 
The Legend of Oescienne series is set in a world where dragons exist. Did you base your dragons off of any legends in particular? And what did you most enjoy about writing about dragons?

My Legend of Oescienne series was my very first leap into the writing pool. I have always loved dragons, even as a kid, and have always believed that, just like people, dragons can be benevolent or malevolent. My dragons are mostly benevolent, but there are a few mixed in who are troublemakers. One of the main characters in the series, the dragon Hroombramantu, is based very much on Draco from Dragonheart. I loved that movie and Draco’s bravery, wisdom, and kindness always stuck with me. I wanted Hroombra (Jahrra’s mentor in the first two books) to be wise and kind as well.

I think the best part about writing dragons is that my dragons are able to speak and reason just like humans. It’s especially fun to work with them because they react and behave as humans do sometimes, but they are so much more powerful, not to mention they can fly and breathe fire.


 
 
You’re a fan of honeybees! Are you a beekeeper with hives of your own?

I absolutely LOVE honeybees!!! They are actually sacred to the Celts (considered little cows with wings because they produce a valuable commodity). I had a hive some years back, but unfortunately, my bees disappeared. I miss having them, but if I ever find the time to get back into the hobby, I need to take classes and become more of an expert first. I’d honestly be happy if a wild swarm made a hive somewhere in my backyard (there’s a lot of space back there) just so I could have them around. For now, I have to get my honey from the local farms and farmers’ markets (I only get the good stuff – local, raw honey) so I have a constant supply for my tea. I especially love the fact that there is an old wisteria vine growing on my back patio and every spring/summer I can stand beneath it and just listen to all the bees visiting the flowers.
 
 
What story (or stories) are you working on now, and what’s fun about what you’re writing?

Now that “Bane and Balm” is out in the world in the Once Upon A Quest anthology, I am focusing entirely on finishing the fifth and final book in my Oescienne series first. It’s been a long journey getting to this point, and my Oescienne readers have been waiting a long time for this one. Once I’ve finished the first draft and send it off to my beta readers and editor, I’m going to jump into either my Draghans of Firiehn series (will eventually be a collection of novellas set in my Otherworld universe but mostly outside of Eile) and a continuance of my Otherworld series (Cade, my main male character, needs his trilogy and there are a few more characters awaiting their own books, too). I’ve also been working on and off on a brand new trilogy I’m hoping to get traditionally published. Basically, I’m going to be busy this year!

Jenna Elizabeth Johnson is a best-selling, multi-award winning author of Fantasy and Young Adult Paranormal Romance. Jenna grew up and still resides on the Central Coast of California, a place she finds as magical and enchanting as the worlds she creates.

Jenna received a BA in Art Practice with a minor in Celtic Studies from the University of California at Berkeley. It was during her time in college that she decided to begin her first novel, The Legend of Oescienne – The Finding. Reading such works as Beowulf, The Mabinogi and The Second Battle of Maige Tuired in her Scandinavian and Celtic Studies courses finally inspired her to start writing down her own tales of adventure and fantasy.

Besides writing and drawing, Jenna is often found reading, gardening, camping, hiking, bird watching, and practicing long sword fighting and archery with a traditional longbow.

Find Jenna at:

Website | Facebook | Twitter | Instagram
Pinterest | Wattpad | Goodreads

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Make a basic gradient layer with Photoshop

A gradient in an image is a gradual transition from one color to another color.

Example of using a gradient layer to make text stand out

Here are the before and after versions of a book cover where a gradient layer was used to improve the readability of the title text. The color transition is from one of the blues in the image itself, and because the opacity is set so low, the effect is very subtle.

And here’s what the gradient layer looks like without the image.


 
How to create a gradient layer

  • Create a new layer.
  • In the new layer, create the desired shape using the appropriate selection tool. You can add a gradient to any shape.
     

     

     
  • Select the gradient tool.
     

     
  • Select the two colors to transition between. This is done using the same color selection tool you normally use. The top square sets the starting color of your gradient, and the bottom selects the ending color. The top left corner of your window will show an example of what the gradient will look like.
     
  • Select the desired type of gradient from the menu at the top left: linear, radial, angular, reflected, or diamond.
     

     
  • Determine where on the shape you just created that you want the gradient to start. Click on this spot and hold the mouse down.
  • Drag the mouse pointer to wherever the gradient should end. You’ll see a line from the starting point to the end point. Release the mouse.
  • The gradient you created will appear on your layer.
     

     

References

Photoshop version

The version of Photoshop used for this post was the 2017.1.1 Release of Adobe Photoshop CC, 20170425.r.252 x64, on OS X 10.13.1.

   
 

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Story spotlight: “Beneath the Knowe” by Anthea Sharp

From USA Today bestselling author Anthea Sharp, a magical faerie tale featuring an ancient Celtic setting, music, and the ageless denizens of the Bright Court.

Can music overcome fey magic?

When the chieftain’s infant son is stolen away by the fey folk of the Bright Court, Maeve Donnelly journeys beneath the faerie hill to save the child.

Her only weapon is a simple pennywhistle, and the music running in her bard-gifted blood…
 
 
“Beneath the Knowe” is in The Faerie Summer bundle. You can learn more on BundleRabbit, Goodreads, and the bundle’s Facebook page.
 


Collections With Stories by This Author


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About the Author

Growing up on fairy tales and computer games, Anthea Sharp has melded the two in her award-winning, bestselling Feyland series, which has sold over 150k copies worldwide.

In addition to the fae fantasy/cyberpunk mashup of Feyland, she also writes Victorian Spacepunk, and fantasy romance. Her books have won awards and topped bestseller lists, and garnered over a million reads at Wattpad. She’s frequently found hanging out on Amazon’s Top 100 Fantasy/SF author list. Her short fiction has appeared in Fiction River, DAW anthologies, The Future Chronicles, and Beyond The Stars: At Galaxy’s edge, as well as many other publications.

Anthea lives in the Pacific Northwest, where she writes, hangs out in virtual worlds, plays the fiddle with her Celtic band Fiddlehead, and spends time with her small-but-good family.


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Interview: Anthea Sharp on “Once Upon a Quest”

Meet Anthea!

Anthea Sharp writes fairy tale retellings, Victorian steampunk, fantasy romance, and has combined the Realm of Faerie with immersive gaming in her Feyland series. Once Upon a Quest is the third volume in the Once Upon anthology series.

Once Upon a Quest

Once Upon a Quest is a collection of fifteen tales of adventure, all brand new fairytale twists from bestselling and award-winning authors. With inspirations ranging from The Ugly Duckling to Snow White, and everything in between (including trips to Camelot and Oz), these fabulous tales are full of adventure, magic, and a touch of romance.

Elly took me out and set me gently on the floor. The stone was cold beneath my paws. I walked forward until I was a short leap from the throne. The fetid smell of ogre sweat pinched my nose, and I could hear the breath rasping in and out of his throat. One of his hands was big enough to crush me, should he so choose.

“Your eminence.” I made the ogre a bow. “My name is Mistress Bootsi, and I have come to look upon your might.”

“A talking cat?” He laughed, a harsh, nasty sound. “If you thought I’d be impressed, I’m not. I have no use for you.”

The ogre stood and, in a wink, transformed to a huge lion. He roared, and I shivered in fear. My instincts clamored for me to run, run! It took all my courage to stand my ground, and I hoped that Elly had the sense to do the same. Being breakfast for a lion was not part of my plan.

– from “Mistress Bootsi” by Anthea Sharp

The Interview

How did the ‘Once Upon’ anthology series get started?

A group of author friends and I started kicking around the idea of dark fairytale retellings. Everyone got excited to do the project, and I offered to manage the details, since I have experience running multi-author projects and anthologies. The fabulous Christine Pope offered her graphics skills, and Once Upon A Curse was born! It sold very well, and we decided to make this a yearly project. Quest is the third collection, after Curse (2016) and Kiss (2017).

How did you come up with the ‘quest’ theme?

We needed something to match the other titles. Curse (dark tales), Kiss (romantic tales)… and then Quest, featuring adventurous tales. We’re thinking about getting a little wild next year, and doing SF-set stories with Once Upon A Quark

After that, who knows? 🙂

What do you find compelling about fairy tales?

The archetypal plots and characters of fairy tales still resonate today, though all the authors are having fun putting modern twists on the stories!

Your own story in the collection, “Mistress Bootsi,” was inspired by the the fairytale “Puss in Boots” (also known as “The Master Cat”). Why did you pick this particular fairytale as the basis for your story?

When thinking of quests and adventure, “Puss in Boots” just stood out to me as a classic tale full of magic and adventure. Plus, we have a new kitty in the house, so felines are on my mind these days!

Your Feyland series is also based in part on fairy tales. What aspects of fairy folklore have you used in that series, and what inspired you to combine that with gaming?

I grew up on collections of fairy tales and also singing some of the classic old fairy ballads. I’ve always loved the story of “Tam Lin”, where the maiden saves her knight (in fact, we have a “Tam Lin” retelling in Once Upon a Quest).

I’ve also played computer games since, well, Zork, and then more recently lots of MMOs. I got to thinking one day (in 2010) about the parallels between being in-game and the descriptions of humans sucked into the Realm of Faerie: time moves strangely, everything feels intense, you emerge dazed and feeling like you’ve been somewhere magical and not-of-this-world…

And Feyland was the result – a series where a computer game is the gateway to Faerie. It’s not a new idea, and portal fantasy has a long, wonderful tradition (I suppose there’s a bit of my love for Narnia in the books as well) but I think my gaming experience put a new, different twist on the theme. I’m delighted to say that the Feyland books have found a wide audience, and I still have two more books planned in the series! The prequel is free, and the first book, The Dark Realm, is just .99 cents at all ebook retailers, for those who are interested in diving in.

You play the Irish fiddle! Tell us about the kind of music you play – and about your band, Fiddlehead.

I’m classically trained, but discovered Irish music in college, and never looked back. I love playing the fiddle, and my band, Fiddlehead, has three CDs out (find them on cdbaby.com). I also love putting music into my stories, and have released a short story anthology called Tales of Music & Magic that combines my love of magic, music, and short tales.

What story (or stories) are you working on now, and what’s fun about what you’re writing?

I’m currently working on another fairytale retelling series, complete with a dark, enchanted forest, elves, and two sisters who must fight on opposite sides of an epic battle. Hoping to get those books out in 2019!

Growing up on fairy tales and computer games, Anthea Sharp has melded the two in her award-winning, bestselling Feyland series, which has sold over 150k copies worldwide.

In addition to the fae fantasy/cyberpunk mashup of Feyland, she also writes Victorian Spacepunk, and fantasy romance. Her books have won awards and topped bestseller lists, and garnered over a million reads at Wattpad. She’s frequently found hanging out on Amazon’s Top 100 Fantasy/SF author list. Her short fiction has appeared in Fiction River, DAW anthologies, The Future Chronicles, and Beyond The Stars: At Galaxy’s edge, as well as many other publications.

Anthea lives in the Pacific Northwest, where she writes, hangs out in virtual worlds, plays the fiddle with her Celtic band Fiddlehead, and spends time with her small-but-good family.

Find Anthea at:

Website | Facebook | Twitter | Goodreads | Newsletter

Find Once Upon a Quest!

Amazon | Barnes & Noble | Kobo | iBooks | Smashwords | Google Play | Goodreads

   
 

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Use Draft2Digital to automatically submit your books to Goodreads

Sometimes your books appear on Goodreads as if by magic, and other times they take a few days to show up – or, mysteriously, don’t show up at all. You can add your book yourself, but this requires you to keep an eye on this every time you release a new title.

If you publish through Draft2Digital, they give you the option to have your books automatically submitted to Goodreads – as well as to other catalog sites they work with.

Prerequisites

  • You already have a Draft2Digital account.
  • Your book is distributed to at least one channel through Draft2Digital.

Set up Draft2Digital to automatically submit your books to catalogs

  • Log in to your Draft2Digital account.
  • Click on My Account, then on Advanced User Options.
     

     
  • Make sure “Submit books to Catalog Sites” is selected.
     

     
  • Click Save.

Non-Draft2Digital sales channels

It’s still a good idea to keep an eye on other, non-Draft2Digital channels on your book’s page at Goodreads. For example, if you go direct to Kobo, but use Draft2Digital to publish at iBooks and Barnes & Noble, you might need to add the Kobo channel to your book’s Goodreads page. But by utilizing this feature of Draft2Digital, your book will automatically have a page on Goodreads.

References

   
 

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Story spotlight: “Cauldron Bubble” by Rebecca M. Senese


Mathilde Blackmore needs to move out of her mother’s house pronto, but her new home has to meet some specific requirements in order Young witch Malinda Hazelthorn excels with the wand but sucks at potions work. So naturally her project for the Witches and Warlocks Special Exhibit demands both. As if that isn’t enough, a run in with Wenda Brazenwood leaves her facing the other witch’s wrath.

Will Malinda survive her friend’s help, detention, and Wenda’s thirst for revenge?
 

“Cauldron Bubble” is in the Witches’ Brew bundle. You can learn more on BundleRabbit, Goodreads, and the bundle’s Facebook page.


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About the Author

Based in Toronto, Canada, Rebecca M. Senese writes horror, science fiction and mystery/crime, often all at once in the same story. Garnering an Honorable Mention in “The Year’s Best Science Fiction” and nominated for numerous Aurora Awards, her work has appeared in Fiction River, Tesseracts, Ride the Moon, TransVersions, Deadbolt Magazine, On Spec, The Vampire’s Crypt, Storyteller, Reflection’s Edge, Future Syndicate and Into the Darkness, among others.


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Interview: Grayson Towler on “The Dragon Waking”

Meet Grayson!

Grayson loves dragons and dinosaurs, and has managed to tie them together in a wonderful, magical story in The Dragon Waking, a middle grade fantasy.

The Dragon Waking

For thirteen-year-old Rose Gallagher, having a friend who is really a dragon and can perform magic, change shape, and fly her away from the predictability of small-town life feels like a dream come true. But secrets have a price, and the more Rose learns about her friend Jade and the world of dragons, the more dangerous her life becomes. Rose soon finds herself risking her life to help Jade recover a mysterious fragment of a meteorite called the Harbinger, which has the power to awaken countless dragons from their enchanted slumber. When Rose and Jade come face-to-face with a rival dragon in a battle over neon-drenched skies of Las Vegas, it will take all their courage to avert a catastrophe sixty-five million years in the making!

The dragon raised its head very slightly, watching her intently.

Rose still trembled at the sight of the dragon’s long talons and massive jaws, but she mustered her courage and edged closer. The dragon slowly extended its great head toward her as she approached, a posture that suggested both restraint and intense curiosity.

Rose’s sense of fear melted into wonder. Never had she seen anything lovelier than the tremendous green dragon before her. The elegant shape of its head and neck, the subtle shadings of green on each of its diamond-shaped scales, the delicate patterns on the translucent membrane of its folded wings – every feature of the dragon struck a perfect balance between beauty and power.

– from The Dragon Waking

The Interview

What inspired you to write The Dragon Waking?

It’s the sort of story I wanted to read. That’s usually my starting point… the reader in me wishes a certain kind of book would be waiting for me on the shelves, and then the writer in me decides that I’d better get working to make that happen.

More specifically, I’ve always loved stories of dragons, especially the ones in which dragons and humans are companions. Not that I don’t enjoy a good rampaging monster story with a dragon as the star, but I’m more moved by stories like Anne McCaffrey’s Dragonriders of Pern series, or Naomi Novik’s Temeraire books – stories about the friendship between a humans and dragons.

I’ve often found myself spotting dragons in the environment, like clouds or rock formations shaped like dragons. I liked to dream about those formations waking up and becoming actual dragons. From those daydreams, the world of The Dragon Waking crystallized on a particularly productive evening of staring off into space.

Do you have more stories planned in this world?

I’m currently working on the second book in what I intend to be a trilogy. There’s a lot going on in this world, and I think there could be plenty of room for more short or long stories on top of the trilogy I have planned.

What did you find to be challenging with writing this story?

Well, it was my first book that I truly wanted to finish and get published, so there was a huge learning curve. The biggest challenges came from learning the conventions of the middle grade genre, and the first of these challenges was figuring out that the book was actually middle grade! I went in thinking it would be YA, and wrote it with that idea in mind. The resulting story turned out to be a better fit for middle grade, though.

Then the next big challenge was compressing the story down to middle grade length, which is a lot more restricted than YA. This was a crash-course in editing like I’d never experienced it, and I learned a lot.

The audience for The Dragon Waking is middle grade. Do you write stories for other ages?

I’ve got two novel-length manuscripts awaiting a second draft. One is a YA story to start a new series (really YA this time, I think). The second is an adult supernatural thriller. I’m quite excited about both of them, and I’m eager to get them into shape to pitch to publishers… if only pesky things like bills and my full time job didn’t keep getting in the way.

I do write short stories sometimes too, though I tend to focus on novels. I’ve got a sidestory from The Dragon Waking available on my website, and a couple other stories I’m going to try to get published this year if I can. I think my favorite of these is a story called “Crotar” about a 19th century British naval vessel encountering a very strange being in the south Pacific.

What’s important to you about Rose, and why did you give her these characteristics?

Rose has a lot of fine qualities, but I think the two most important ones are imagination and compassion. People tend to think of imagination as the ability to come up with things that don’t exist, which is part of it. But I also think a strong imagination is what allows us to see our world with greater clarity, and perceive truths that exist beyond accepted facts. It’s Rose’s capacity for imagination that allows her to see Jade and connect with her–most people couldn’t deal with the “impossible” appearance of a dragon in their world.

Compassion is just as important for Rose. Her compassion is why she can overcome her fear and connect with Jade, and sympathize with Jade’s mission to awaken the rest of the dragons. Rose is 13, which is a time when we’re still concentrated pretty much on figuring ourselves out, but that inward focus doesn’t mean we can’t expand our perspective and put ourselves in another’s shoes. I think Rose trained her compassion in working with horses, and learning to see the world through the eyes of an animal with a very different perspective than a human.

The Dragon Waking includes both dragons and dinosaurs. Why did you decide to include both? What’s the relationship between dragons and dinosaurs in the story’s world?

Is it not a kind of chocolate and peanut-butter combination? Seems so to me. In any case, I’ve always loved to toy with the idea of what would have happened if an intelligent, civilization-building race had evolved from the dinosaurs instead of mammals. At some point, it clicked that dragons would be a perfect candidate for that race.

In terms of the story, in the first book the main antagonist is a dragon who has disguised himself as a casino mogul named Rex Triumph, and has a dinosaur-themed resort in Las Vegas. When he gets back his full power, he naturally wants to bring back the old world he used to know. So he ends up animating a lot of dinosaurs, which in turn give our protagonists a lot of trouble.

In addition to writing, you also have a web comic. How did that start, and what do you enjoy about the comic that is different from what you enjoy about writing?

That’s Thunderstruck, and I started writing that as a conventional paper comic back in the mid-90s. At the time, I wanted to be an independent comic book artist-writer. Unfortunately, I chose to follow this aspiration right about the time the entire comic industry underwent a massive implosion, so the whole plan stopped being viable as comic stores folded left and right.

But the story stuck around, and when webcomics started to become a legit avenue for self-publishing, I revived Thunderstruck in that form. I wrote for many years, took a hiatus for a while to focus on my fiction career, and then came back and hopefully will be able to follow the whole complex story to the end.

The thing I like most about comics as opposed to straight prose is the ability to use artwork to express a story. Not only can a good picture be worth a thousand words, a visual medium like comics can sometimes express things prose never can. Yet comics still lets you keep many of the advantages of prose. It’s a unique medium and I enjoy exploring the various ways you can use it to tell stories…even though I feel like I’m a pretty limited artist, by comparison to many others out there.

What story (or stories) are you working on now, and what’s fun about what you’re writing?

Currently it’s the second book in the dragon series that’s getting all my attention, apart from my monthly engagement with writing the webcomic. There’s a lot of fun things about this book. There’s a change of setting, as part of it takes place in Hawaii. It’s also a story where Rose’s friend Clay gets to share the spotlight. He gets to come into his own this story and has to fend for himself when Rose and Jade are engaged elsewhere. We’re also going to get a new villain I’m really looking forward to introducing, and we’ll find out some of the mysteries we haven’t yet touched about dragons.

Grayson Towler has had a lifelong fascination with dragons, dinosaurs, magic, and the mysteries of the natural world. In addition to being a storyteller since he could first string words together, he has been a marketing copy writer, web designer, substitute teacher, comic artist, and small business owner. He and his wife, Candi, and their dog, Luna, live in a house owned by three relatively benevolent cats in Longmont, Colorado.

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Story spotlight: “The Scottish Play” by Kristine Kathryn Rusch

Portia uses her magic to solve problems—theatrical problems. She prefers to work alone, even though her two sisters possess magic, too. But her latest job, in London’s West End, poses problems not only because of the play being performed—the cursed Scottish Play (aka Macbeth)—but because she must deal with a magic she has never seen before. A magic rooted in her past and threatening her future. A magic that will take the three sisters together to fight—or die trying.

Originally written for the Fiction River anthology Hex in the City, “The Scottish Play” adds a clever twist to the legend of Shakespeare and the three witches.

“The Scottish Play” is in the Fantasy in the City bundle. You can learn more on BundleRabbit, Goodreads, and the bundle’s Facebook page.


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About the Author

New York Times bestselling author Kristine Kathryn Rusch writes in almost every genre. Generally, she uses her real name (Rusch) for most of her writing. Under that name, she publishes bestselling science fiction and fantasy, award-winning mysteries, acclaimed mainstream fiction, controversial nonfiction, and the occasional romance. Her novels have made bestseller lists around the world and her short fiction has appeared in eighteen best of the year collections. She has won more than twenty-five awards for her fiction, including the Hugo, Le Prix Imaginales, the Asimov’s Readers Choice award, and the Ellery Queen Mystery Magazine Readers Choice Award.


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