How-to: Use BundleRabbit’s Ebook Marketplace to find ebooks to bundle

BundleRabbit is a story bundling platform where authors can collaborate on either bundles of ebooks or collaborations, which may be offered in ebook and/or print. A collaboration can be anything from an anthology to a book co-written by multiple authors.

One capability unique to this site is the ability to upload your stories to BundleRabbit’s Content Marketplace, which is used by bundle curators to find and request stories for ebook bundles.


  • You’ll need an account at BundleRabbit, and it must be set up as an curator account.
  • You’ll also need to have created a bundle.

Searching for ebooks in the Content Marketplace

  • Log in to BundleRabbit and click on Account and then Dashboard on the top right-hand corner of the page.

  • In your Dashboard, click on Marketplace.

  • You’re now in the Ebook Marketplace. There are dropdowns to search for ebooks by category or type, and you can also do a text search to look for a specific author, title, or other text. Select the desired parameters, and click on New Search.

  • Once you find an ebook you’re interested in, click on either the ebook’s title or cover, and you’ll be taken to the details page for that ebook. You’ll be able to see the ebook’s sales blurb, any bundles it’s been in to date, the author’s biography and social media links, other ebooks by the author, and a collection of similar ebooks.

  • To request an ebook for inclusion in your bundle, click Request This Ebook, select your bundle from the dropdown, modify the default message if desired, and click Send Request.



Interview: Mark Leslie on the “Books Gone Bad” bundle

Meet Mark!

Mark is an author, professional speaker, and bookseller, with more than a quarter century of experience in writing, publishing, and bookselling. He started writing at 13, and has written three novels, a number of non-fiction books on locations where ghostly and eerie things occur, published numerous short stories, and edited quite a few story collections.

He has a podcast on writing and publishing, publishes a regular video series in which he reads from either his short fiction or his eerie non-fiction, and does many, many other things. Mark loves craft beer, has a skeleton sidekick named Barnaby, and has managed to combine his love of beer with his love of the unexplained.

Books Gone Bad

Books make the world a better place. They are, perhaps, the only thing you can buy that actually make you richer. As Stephen King says, “Books are a uniquely portable magic.”

But what if it were actually true? What if there was actual magic emanating from a book itself? What if a book was sentient? What if a book could actually interact in our world? What if there is something a bit more evil or sinister lurking in the pages?

What if a book doesn’t just open up a world of possibilities to a reader, but, instead, brings the reader into that world? And what about the people for whom books are a central part of their lives? How do they interact with, or perhaps, include books in their magic, their schemes, their lives? How do they protect the infinite possibilities that books store and provide?

This bundle of about 260,000 words from 10 short stories and 2 novels includes explorations of books and the world of books that include magical, supernatural, science fiction or speculative elements. Book nerds will…

The Interview

Books Gone Bad ties the themes of books and magic together. What inspired you to create this bundle?

I have always been a giant book nerd. Books are a special type of magic all on their own. But I have long enjoyed reading stories that center on books and bookish people. I had a short collection of stories on that theme and was trying to figure out a way that I and perhaps some other authors could cross-promote one another. I thought that a themed bundle like this might be just the thing for readers like me.

Having had previous great experiences being part of collaborative BundleRabbit bundles, I thought this might be a great way for me to get my feet wet in curating a bundle to my reading passions.

If this project helps me and the other writers earn a little, perhaps sell more, or attract new fans, then great. If not, then at the very least the project has given me some fun stories to read and enjoy.

This bundle contains your book Active Reader, a collection of three short stories related to books and bookstores. How did your years of experience working in bookstores tie in with this collections?

My experience in bookstores ties in quite tightly with this collection. While one tale (“Browsers”) in the collection is about getting lost in a bookstore (which is more from the browser’s point of view and inspired by an actual experience I had visiting a bookstore in Hamilton, Ontario and getting lost in the store), the other two tie directly to my own bookselling experience. “Active Reader,” the title story, is about the misuse of a bookstore loyalty program (and a story that occured to me when I was in the midst of selling the “Avid Reader” card for a book chain I worked at). And though “Distractions” is about a writer dealing with a combination of writer’s block and distractions, it’s really another cautionary tale about those who follow the advice of self-help gurus (whose books I sold a ton of over the years).

In addition to writing fiction, you have a podcast! On Stark Reflections you interview authors, people in both the traditional and indie-publishing communities, and provide your own reflections on writing and publishing. What do you enjoy about your podcast, and how has it surprised you?

What I love best about the podcast is that it keeps me engaged and learning from authors and other folks from creative industries. With every single chat and interview, I find myself learning something new, or perhaps re-learning something I’d forgotten about. And every single time, the conversation inspires something in me.

While I know the podcast offers quality (ie mean, c’mon, look at the breadth of knowledge that my guests bring) and I know the listener base is constantly growing, I am surprised when I meet someone while out and about, at a conference, etc, who mentions they listen to the podcast and they love the content I provide as well as the open-sharing that I do. I figured my podcast was just another voice adding to an already almost saturated market, but the surprise is how many folks share that they feel it provides a fresh perspective that isn’t offered in the same way elsewhere. Perhaps they appreciate my attempt to balance the traditional and self-publishing perspectives, which I haven’t really seen in the podcasts I have been enjoying listening to.

You’ve combined your love of haunted places with your love of craft beer. Tell us about Spirits Untapped!

I have always been afraid of ghosts, monsters and the unknown and have long described myself as a Book Nerd. So I thought that writing the book TOMES OF TERROR: Haunted Bookstores & Libraries would be the crowning moment of the book I was meant to write.

But then, in 2014, I met Liz, my partner. On our first date, we met up for a beer (both being self-described craft beer enthusiasts) and the rest is history. As our relationship grew out of that first date, our exploration of both ghostly tales and the spirit of beer culture grew from that.

At some point a couple of years ago, we realized that all the traveling that we did together to various beer locations, could be used in a book. So we started the SPIRITS UNTAPPED blog as a way to document some of our beer adventures. While the blog and website itself is for the exploration of the SPIRIT of craft beer culture, the forthcoming book SPIRITS UNTAPPED: Haunted Bars & Breweries, will focus on the ghosts and eerie and unexplained events in bars, breweries and restaurants.
So, apparently, there’s a second “crowning moment” of the book I was meant to write. In this case, Liz and I are writing the book together, so it’ll be a dual crowning moment for us.

How did you select the stories for the Books Gone Bad bundle?

I logged onto the BundleRabbit website and did a few keyword searches for books, booksellers, librarians, then scrolled through the titles available. I also reached out to a few friends to see if they had any titles that might be applicable for such a theme and asked them to submit the title to BundleRabbit so it could be included in the bundle.

It was a fun experience, because as I was scrolling, I picked the stories that were bookish in theme and were ones that I responded to with: “Gee, I’d really like to read that.” So if that were the case, I reached out and asked the author if they would like that story to be included.

You’ve participated in story bundles before, but this is the first one you’ve curated. How has the experience been? What have you learned, liked, or disliked?

Having selected for and edited anthologies, I was already familiar with that type of curation experience. But this one was somewhat easier, because most of the stories were already out there and “completed” and already available. That part was easy.

I think I underestimated the time involved in helping to push and promote the anthology. I created short videos and multiple creative assets for my books as well as the others in the anthology, but, because I’ve been up to my eyeballs with more tasks than I can handle, I let my own promotional efforts slip – I was a bit disappointed to see minimal promotional efforts overall outside of the few things I had done.

There was a really smart curator (you might know her) who told me her method of choosing authors – she shared that she spent a bit of time exploring each author’s own social media and promotional presence as part of her strategy. IE, if they seemed to be active, they were more likely to put some effort into supporting the bundle. I suppose that’s something I learned that I can take with me going forward.

I’m not saying that I’m disappointed, because I think that the stories collected in the bundle are excellent tales by great writers. I suppose I was expecting each author to do at least a bit more sharing of the bundle – but the good news is that soon I’ll likely have time, again, to focus on promoting the bundle (I already have a promo scheduled via a manual request through BundleRabbit), and, since it’s not a limited time release, perhaps different authors will push it at different times, spreading out the effect.

After all, it’s NOT just about the first 30 to 90 days – it’s about long term sales. And it’s a quality bundle, regardless of when or how people discover it over time.

You’ve worked in virtually every type of bookstore, including at an online bookstore – Kobo, where you drove the creation of their author/small publisher platform. What do you miss about working in physical bookstores?

The thing I miss most about working in physical bookstores are the daily interactions with readers and customers and the tactile experience of holding books, unpacking new books and placing books in customers hands.

I created Kobo Writing Life to fulfill a need. I’d been self-published to Kobo, but they didn’t have an easy way for authors or small publishers to get into their systems (not without doing a lot of technical gymnastics) – Also, I had created a similar system for Chapters/Indigo (Canada’s version of Barnes and Noble) about 10 years earlier, so it was using the same methodology – create a FEW platform, let people publish their work and support them in ways to help them grow their sales.

In a nutshell, I created Kobo Writing Life for me to use as an author. Using that as a basis, it’s obvious that there were tens of thousands of other authors who wanted and needed the tool as well. So, like advice writers are given, I focused on a niche and a target audience (me), and many other people like me found it useful as well.

#FreeFridayFrights is an audio and video series where you do live readings of your short stories and your non-fiction about ghosts and eerie tales.

Yeah, I started it back in April 2018 as an experiment of providing something free for two main reasons – 1) to expand and grow my author brand and 2) to give people a free taste of what my writing was like in the hopes that they might consider being a reader/fan of my work.

What story (or stories) are you working on now, and what’s fun about what you’re writing?

Apart from a non-fiction book that outlines my 25+ years of experience as a bookseller, I am working on a variety of short fiction projects as well as finishing up some of the longer/novel length works.

I am the poster child for “do what I say, not what I do” because, despite some of the advice I offer to authors, I have three novels that are the first books in three different series’ out with not a single sequel finished.

For EVASION (Book One in my “Desmond Files” series), I have a ¾ completed COVERSION sequel that I’m working through.

For A CANADIAN WEREWOLF IN NEW YORK (Book One in my “Canadian Werewolf” series), I have a 50% completed draft of FEAR AND LONGING IN LOS ANGELES that I’m working through.

If I were smarter, and followed my own advice, I’d finish off EVASION with COVERSION and the final book in the trilogy, INVASION. And I’d also get my butt back on the “Canadian Werewolf” series which looks like it could be part of something a bit longer. After all, my hero, Michael, has plenty of ways to exploit his “superhero” wolfish abilities.

And that’s not to mention I, DEATH (which I did sell to a publisher – however, I just secured the audiobook rights back from the publisher so do plan on turning that into an audiobook while drafting out the next stories in that series)

Speaking of audiobooks I plan on releasing an audio-book ONLY version of “The Best of Free Friday Frights” – again, just a test concept, since the FreeFridayFrights are mostly previously published stories – I love playing and experimenting with different forms and so compiling an audiobook that combines so many different moving parts could be interesting (especially since I’d already paid for several of the stories I would include to be professionally narrated)

Again, more projects than there are hours in the day. But I love having tons of things to choose from. I never get bored.

About Mark

Mark Leslie would be the first person to admit he’s still afraid of the monster under his bed.

Proudly adopting the term “Book Nerd” for himself, Mark is a writer, editor and bookseller and is most comfortable with a pen in hand, fingers on keyboard or with his nose stuck in a book.

His first book, ONE HAND SCREAMING (2004) collected mostly previously published short stories and poetry along with a few original tales. His other fiction includes I, DEATH (2014), EVASION (2014) and A CANADIAN WEREWOLF IN NEW YORK (2016). Mark’s dark fiction is often compared to “Twilight Zone” or “Black Mirror” in terms of style, exploring “what if” themes with contemporary settings that include speculative elements, gently skipping around the genres of sci-fi, horror and urban fantasy.

Apart from editing science fiction anthologies NORTH OF INFINITY II (2006), TESSERACTS SIXTEEN: PARNASSUS UNBOUND (2012) the horror anthology CAMPUS CHILLS (2009) as well as FICTION RIVER: EDITOR’S CHOICE (2017) and FICTION RIVER: FEEL THE FEAR (2017) Mark writes non-fiction “true ghost story” books that include HAUNTED HAMILTON: The Ghosts of Dundurn Castle & Other Steeltown Shivers, SPOOKY SUDBURY: True Tales of the Eerie & Unexplained TOMES OF TERROR: Haunted Bookstores & Libraries, CREEPY CAPITAL: Ghost Stories of Ottawa & The National Capital Region and HAUNTED HOSPITALS: Eerie Tales About Hospitals, Sanatoriums, and Other Institutions among others.

Mark continues to publish short fiction in small press horror magazines and anthologies and most recently had stories appear in TESSERACTS SEVENTEEN (2015), FICTION RIVER: SPARKS (2016) and 2113: Stories Inspired by the Music of Rush (2016)

Born in Sudbury Ontario, Mark has courted with a serious addiction to reading and writing his entire life. He has called both Ottawa, Ontario and Hamilton, Ontario home and currently lives in Waterloo, Ontario.

Find Mark!

Website | Facebook | Twitter | Goodreads

Find the Books Gone Bad bundle

BundleRabbit | Amazon | Kobo | Barnes & Noble | Apple Books | Facebook

How-to: Set up your author profile on BundleRabbit

BundleRabbit is a story bundling platform where authors can collaborate on either bundles of ebooks or collaborations, which may be offered in ebook and/or print. A collaboration can be anything from an anthology to a book co-written by multiple authors.

One capability unique to this site is the ability to upload your stories to BundleRabbit’s Content Marketplace, which is used by bundle curators to find and request stories for ebook bundles.

Information from your author profile is be displayed in the Content Marketplace along with information about your ebooks.


You’ll need an account at BundleRabbit, and you’ll need to set it up as an author account.

Configuring your author profile

  • Log in to BundleRabbit, and then click on the Dashboard link on the top right-hand corner of the page.

  • In your Dashboard, click on the gear icon in the top right-hand corner of the page. In the dropdown that appears, select Your Profile.


  • On your profile page, add your bio, social media links and, if you’re using a pen name, specify that here.

Your social media links and biography will now show up on ebooks you add to the Content Marketplace.


Additional information

  • You can customize your biography and social media links on each individual ebook. For example, suppose you write both westerns and contemporary fantasy, and want to use a different bio for each genre. The bio and links you add to your profile will be applied to all ebooks you create, but you can manually edit this information per book.
  • If you use multiple pen names, you’ll either need to create a separate BundleRabbit account for each pen name you use, or you can manually edit this information per ebook.
  • Changes are saved per book, so updates to your overall bio and social media links won’t propagate through to all of your ebooks.

Interview: Chuck Heintzelman on “The Author’s Guide to Vellum: Creating Beautiful Books with Vellum 2.0”

Meet Chuck Heintzelman!

Chuck is the founder of BundleRabbit, a do-it-yourself story bundling platform that helps authors create ebook story bundles, and collaborate on collections in both ebook and print. He’s created well over a thousand ebooks with Vellum as part of his work with BundleRabbit.

Chuck is also a very talented writer, and occasionally manages to sneak in some fiction writing as well as spending time with his family, working a full-time job as a computer programmer, and enhancing BundleRabbit.

The Author’s Guide to Vellum: Creating Beautiful Books with Vellum 2.0

Take the pain out of creating books!

Vellum helps you:
– Generate high quality ebooks
– Create professional looking print books
– Assemble boxsets in record time
– Create beautiful books

“The Author’s Guide to Vellum” steps you through the software, explaining each feature, and has tips & tricks that can save you hours of time.

Don’t have a Mac computer? No worries. “The Author’s Guide to Vellum” shows you how to run this amazing software without owning a Mac.

Whether you’re new to Vellum or an Advanced user, you’ll learn something with this book:
– Why do some pages not show in the Table of Contents?
– How can I get a page to appear before the Title Page?
– How can I force my books to have blank paragraphs?
– Which pages can start on the left side of print books?

“The Author’s Guide to Vellum” answers all these questions, and more!

The Interview

What is Vellum, and why is it so awesome?

Vellum is a software package that allows you to import a Word doc and format your doc into ebooks and print books. The great thing about Vellum is it makes creating ebooks super-easy … and the resulting ebooks look simply stunning.

Vellum is Mac-only, but your book explains how to run it without using a Mac. Is this hard?

Not hard at all. There’s a service called MacInCloud that allows you to “rent” a virtual mac. You share files between your local computer and your MacInCloud using DropBox or OneDrive and use the software in the cloud to create your ebooks.

How many books have you created with Vellum?

I don’t have a clue any more. I stopped counting a few months ago when I passed a thousand ebooks created. My guess is probably somewhere between 1500-1600.

Vellum allows you to create print books as well as ebooks and print books. Do you have to set things up differently for each format?

You don’t have to, but Vellum gives you the option to have certain parts of your book only appear in the ebook version or print version. Let’s say you want the copyright page at the back in the ebook, but at the front of the printed book. You simply create two copyright pages, one that only appears in the print version and one that appears in the ebook version.

There’s a “Tips and Tricks” section in your book. What’s one of the most useful tips you’ve learned?

Probably the non-breaking space trick. Using this hidden character will allow you to add vertical spacing to your text. For instance, let’s say on the print book you want a section to appear at the top of the next page. You can hit the enter key five times to insert five blank lines, but Vellum will treat those lines as one blank line in the formated book. Simply add a non-break space character, hit enter, another non-break space and enter, and now you have three blank lines instead of one.

You’ve created a lot of box sets with Vellum. How does Vellum help make this process easier?

It’s easy as drag-and-drop. You can take individual Word docs or Vellum files and drag them into the box set you’re creating and a new volume is automatically added. With everything prepared I can easily create a five book box set in Vellum in less than five minutes.

What’s your favorite Vellum feature?

The preview. By using the Vellum Preview you can see what your ebook look like on any device. Set it for Kindle Paperwhite, and you’ll see how it appears on that device. Change to an iPhone or iPad and you’ll get a preview of those devices as well. Or, you can see exactly what the printed page would look like in a print book.

About the Author

“His short stories are stunning” — Dean Wesley Smith, USA Today Bestselling Author

Indie Chuck Heintzelman writes quirky short stories, usually with some sort of fantastical element. He’s as surprised by this as anyone. Even after dozens of stories published, he still stays up too late at night, feverishly working on the next tale. Many of his stories can be found in various issues of Fiction River or Boundary Shock Quarterly.
Lately, Chuck’s time has been consumed managing and enhancing BundleRabbit, a DIY ebook bundling and collaborative publishing service.

Find Chuck

Website | Facebook | Twitter | Goodreads

Find The Author’s Guide to Vellum: Creating Beautiful Books with Vellum 2.0


How-to: Set up a Draft2Digital author page


  • You’ll need a Draft2Digital account (which you can use to log in to the Books2Read site), or a Books2Read account. If you don’t have one, create a (free!) Books2Read account.
  • You’ll need to have created at least one Universal Book Link. If you haven’t done this yet, just follow these instructions to set one up.

Create an author page

  • Log in to your Books2Read account. Your Universal Links dashboard will be displayed.

  • Find the desired author name under one of the books in the BOOK column, and click on that author name. You’ll be prompted to either edit or deactivate the author.

  • Click Enter Edit Mode. Green borders will be displayed around editable areas of the page. Make sure to not click on any of the book images other than the one at the top that’s outlined in green. Each book image takes you to a page for that book, and if you click on one if you’ve edited – but not saved – your page, you’ll lose your edits.

  • Add your social media links.

  • Add an author photo by clicking on the green-outlined circle on the top left-hand side.

  • Click on ‘Follow this Author’ and enter the link to sign up for your mailing list.

  • If the ‘featured book’ isn’t the one you want to feature, click on the book image to change the book.
    Remember that this green-outlined book image is the only book image you should click on unless you’ve saved your edits, as all the other book images will take you away from this page.

  • Click on the green box to the right of your featured book to update the associated text.
  • If you want to change the color of the ‘Buy it Now’ button, click on it and select your desired color from the preset options, or enter in the HTML color code. Note that you can only change the color of the button, not of the text.

  • Add a biography in the box at the very bottom of the page.

  • Copy the URL for your page from the address bar of your browser, and share it wherever you’d like!

A few confusing things about Draft2Digital author pages

  • If an author name isn’t associated with a book, that book won’t appear on the author’s page.
    For example, Amazon limits each book to a max of 10 associated author names. Authors can contact Amazon and request that this book be added to their Amazon author pages, but this information stays within Amazon. This type of thing means that if your name is not ‘officially’ associated with a book, you won’t be able to add that title to your Books2Read author page.
  • Sometimes the same author name is associated with multiple books on Books2Read, but the books don’t show up on the same author page.
    For example, in this screenshot “Jamie Ferguson” is associated with both Midwinter Fae and Stars in the Darkness, but the two books don’t appear on the same author page.



Interview: A. L. Butcher on the “Here Be Monsters” bundle

Meet A. L. Butcher!

A. L. (Alex) Butcher has a background in ancient history, mythology, and classical studies – all of which have given her an interest in the fascinating world of monsters. Here Be Monsters is the fifth volume in her Myths, Monsters, and Mayhem series. In addition to her many short stories and the story bundles she’s curated, Alex writes The Light Beyond the Storm Chronicles, a series of adult dark fantasy romance adventures set in a world where magic is forbidden.

Here Be Monsters

Here Be Monsters is a collection of 19 tales of myths, monsters, and mayhem.

We love to fear them and fight them. Monsters come in many forms, from the monsters within to the monsters outside and under the bed. Dare you venture into the caverns and the castles? Dare you enter the darkness of an accursed soul?

An eclectic collection of dark creatures and those who fight them. You have been warned.

~ Here Be Monsters is only available through September 2018 ~

The Interview

Here Be Monsters is the fifth volume in your bundle series Myths, Monsters, and Mayhem. What inspired you to create this series, and this volume in particular?

I love fantasy, and the total diversity of worlds, creatures, people and situations within. Fantasy is by far the widest and most creative of genres, and the possibilities are limitless. In my view fantasy is freedom. I love the old style myths, fairytales and bardic stories, and this series has a bit of everything. Our cultures are saturated with myth, legend and the fantastic – St George and the Dragon (see my blog for an article on the history of this); giants and fairies, even Santa Claus is a fantastical story. These are not only aimed towards children – there are 131 public houses called George and Dragon in the UK, 67 called Robin Hood (or similar), 59 called The Griffin, 51 called The Phoenix, 52 called The Unicorn and 31 called The Golden Fleece. Such tales remain popular, and most if not all countries have a mythic past which still appears in current life.

Here Be Monsters features the darker side of fantasy – those beings and beasties we all love to fear. Not all are bad – In The Stolen Tower (which features in the bundle too), two of the primary characters are Trolls – but not your usual bridge-lurker type of troll. The monsters in this one are taken from their past – at a time before the magical Fae Realm was sealed off, and should not exist in the world they currently inhabit. There’s an earth elemental too – a personification of the mountain. The Keres are nasty, nasty creatures – think harpies with an even worse attitude. But there are also human monsters, and creatures the humans fear which are the good guys.

I know some of the other stories have an array of nasties, but not always those creatures who we would assume are the monsters.

You’ve written a number of stories set in Erana, a fantasy world you created – including “Warrior’s Curse,” which appears in Here Be Monsters. What is it about the world of Erana that keeps bringing you back to it?

Erana is a world of magic – but that magic has been seriously beaten into submission. After years of war between elves, men, fae, trolls and various other magical creatures the fae realm is closed off, the elves fall to a mysterious plague that almost destroys their civilisation, the trolls retreat to the mountains and largely shut themselves off, and martial law is imposed. The Order of Witch-Hunters take charge and blame the elves and magic for the plague (rightly or wrongly – that will be explained in later books), and seek to obliterate magic, and enslave elves where ever they are to be found. Magic, however, refuses to abide by the laws of men, and appears in odd places, and people.

It’s a world of contrasts – magic is everywhere – albeit on the sly – but it’s usage and possession are punishable by death. A person doesn’t choose to be magical – they just are. Most people soon learn to hide what skills they have or pass them off as something else. There are temples to various gods – which not even the Order has the courage to forbid. Many people think the gods are real and it doesn’t do to take the chance they aren’t. Most of the elves live in hiding, or in Enclave (basically ghettos) and have no rights, and are owned by humans. But most humans are peasants and too ignorant, afraid or overworked to see the problems. It’s been that way for three hundred years, it must be the truth. Truth and freedom are relative terms.

Warrior’s Curse starts with some treasure hunters seeking refuge from a storm in a cave. They soon discover bags of shiny loot – but as with most things in Erana such treasure has a past, and is not what it first appears. One of the group (a Troll Past-Seer) recounts the history of the most rare and expensive item and decides she wants nothing to do with it. The menfolk are not so wise… The ‘story within a story’ is set in the past – for there are witches, monsters, and unholy magics – and none of the treasure hunters would even comprehend such things in a world where magic is illegal.

Erana draws me in time after time. It has a dark history, but there is hope for the future. The good guys are anti-heroes – they kill, steal and manipulate but for the good of others and a ‘cause’. The bad guys are bad – but many just don’t know any different or are following orders. Good and bad are not clear. But in many ways it reflects our world – there are oppressed and oppressors, the wise and the foolish, a history saturated with blood, and the indomitable spirit to survive, no matter what.
Remembering Warriors is a story bundle you organized as a commemoration of the 100th anniversary of the First Armistice Day. A percentage of the royalties goes to the Royal British Legion and Help for Heroes, two charities that support wounded and ex-service personnel and their families. What inspired you to create this collection?

This one is easy for me to answer. My father served in the Royal Army Medical Corps and was wounded in action in 1959 – he lost the sight in one eye. My mother served in Queen Alexandra’s Army Nursing Corp (fortunately she came out unscathed). The Royal British Legion helps ex-veterans and their families in a number of ways. My father currently resides in a British Legion nursing home, and all the residents there have served in the forces.
Help for Heroes is a more recent charity which also promotes rehabilitation and help for those wounded in action.

2018 is the centenary of the end of World War One – the Great War which decimated Europe and led, it’s argued, to the Second World War and the horrors there. In the last century war has continued, although thankfully not a global scale, and men and women return damaged (those who do return). I firmly believe the Great War, and World War Two shaped modern European history, and such horror should never be forgotten. There were villages in England where every man between 16 and 50 was lost. It’s very easy to disassociate oneself from war – which for most of us is fought far away against people we aren’t very familiar with – and we can become blase to it. But these soldiers, no matter whose side they might be on, are someone’s child, sibling, parent or friend. I have seen the price war can exact – and how it changes lives.

The slogan for the Royal British Legion is Live On – that is an important message as those who remain CAN live on, and those who suffer injury can now have worthwhile and valuable lives. We must as humans, as descendants, as free people remember the sacrifices some pay for freedom. I set this bundle up to try and raise awareness of these charities, to stir a thought for the soldiers past and present. The Great War was known as the War to End All Wars – sadly it did not.
In The Light Beyond the Storm Chronicles, you created a world where magic is forbidden and elves are enslaved. The series starts with Dii, an elven sorceress, fleeing for her life. How did your background in politics and mythology help you craft this series?

One only has to look back on human history to see parallels to the world of Erana – Despotic government, rule by fear, divide and rule, blaming a particular group of people for society’s ills and the list goes on. Politics doesn’t change much, oh yes new leaders and parties come and go but the machine rumbles onward nonetheless. No party/leader will change the system which got him or her elected (assuming they were in fact elected), and no party is likely to radically change the status quo. In many ways it’s a case of better the devil you know. That said there have been uprisings – the French Revolution and the Russian Revolution to name a couple, and there have been individuals and groups who have made a difference but they are few and far between. Certainly with many revolutions the common man or woman has not noticed a great deal of difference to his or her life. And many folks are content with that. Change can be frightening. But also there is always someone willing to fight for the little guy – to stand up and say no more. There is always hope and the human spirit to fight on, to live and to discover a better world. Sometimes it’s so much bullshit, but not always.

Much of the background lore for Erana is similar in form to our own mythology – and of course in myth anything is possible – from vast flying lizards, to demi-god heroes, to the lowliest beating the greatest. It doesn’t have to be true, but it does have to show us the best and worst in ourselves, and that people can be greater than they imagined. The allegories of myth hold moral, and symbolic meanings.

You have a background in politics, sociology, classical studies, ancient history, and mythology. How does your interest in and knowledge of these areas influence your writing?

I love the old Roman and Greek tales and I read a lot of history. Erana is mostly a medieval society, with a few tweaks. As I said earlier myth and storytelling are really important aspects to our modern society – although it’s not obvious at first. I like reading myths, fairytales and the lore-laden fantasy stories and try and style my work in that way. Sociology and politics teach one about societies, relations between classes, people and countries – how government is run, and more importantly how people THINK it’s run – which is vastly different.
How did you select the stories included in the Here Be Monsters bundle?

Some were from authors I was already familiar with, and some I read the synopsis or the look insides and decided the book was a good fit. Authors can refuse to join a bundle if they feel the vision doesn’t match their work.

You’ve put together a number of story bundles, and have more planned. What do you enjoy about creating these collections?

The Bundles are a lot of fun. They are also a GREAT networking tool. The idea is that readers get a bundle of books for a bargain price and find new authors and the authors get ‘cross-pollination’. I’ve found some great new authors and books to read.
What story (or stories) are you working on now, and what’s fun about what you’re writing?

Currently I am working on Book IV of the Light Beyond the Storm Chronicles, an Erana novella (currently which is stuck), an historical fiction for an anthology, and a ghost story. It’s all fun – I love creating stories. Except when the story won’t tell me where it wants to go – then it’s annoying.

About the Author

British-born Alexandra Butcher (aka A. L. Butcher) is an avid reader and creator of worlds, a poet, and a dreamer, a lover of science, natural history, history, and monkeys. Her prose has been described as ‘dark and gritty’ and her poetry as evocative. She writes with a sure and sometimes erotic sensibility of things that might have been, never were, but could be.

Alex is the author of the Light Beyond the Storm Chronicles and the Tales of Erana lyrical fantasy series. She also has several short stories in the fantasy, fantasy romance genres with occasional forays into gothic style horror. With a background in politics, classical studies, ancient history and myth, her affinities bring an eclectic and unique flavour in her work, mixing reality and dream in alchemical proportions that bring her characters and worlds to life.

Her short novella Outside the Walls, co-written with Diana L. Wicker received a Chill with a Book Reader’s Award in 2017.

She is also the curator of a number of exciting book bundles on Bundle Rabbit and frequently works with other authors.

She activity supports nature, wildlife and veteran’s charities.

Find Alex

Website | Facebook | Twitter | Pinterest | Blog | Goodreads

Find Here Be Monsters!

BundleRabbit | Amazon | Kobo | Barnes & Noble | iBooks | Books2Read

How-to: View images in high resolution using InDesign

It can be a bit disconcerting to realize the resolution of the book cover you’re working on in InDesign looks terrible even though you know you’re using a high-resolution image. But never fear – this is super easy to fix!

Note that the image looks fuzzy and blocky.

Display Performance

The resolution you see while you’re working in InDesign is not the same as the final product.

InDesign provides three levels of quality for viewing images. If you’re working on a slower computer, are working with a lot of images, or are running a lot of applications on your computer at the same time, you might not need to see your images in high quality.

The three levels are:

  • Fast Display: The entire image is completely grayed out. This optimizes performance, but (obviously) makes it a little challenging if you need to do any image manipulation.
  • Typical Display: Images are displayed, but look a little blocky, especially if you zoom in. This is the default setting.
  • High Quality Display: Images are displayed at their full resolution. This allows you to see the highest quality version of your images, but InDesign may run more slowly as this setting requires more system resources to display.

How to change the display performance

  • Select View > Display Performance, and then select the desired display level.

Selecting High Quality Display will show your images at their highest resolution. You can change this to ‘Fast Display’ if your computer is slow, and you don’t need to see the images for whatever task you’re working on.

Huzzah! The image looks crisp and clear!

InDesign version

The version of InDesign used for this post was Adobe InDesign CC 13.1, on macOS High Sierra 10.13.6.

How-to: Watch and/or search for U.S. trademark registrations

What is a trademark?

From the United States Patent and Trademark Office’s FAQ:

Trademarks protect words, names, symbols, sounds, or colors that distinguish goods and services from those manufactured or sold by others and indicate the source of the goods. Trademarks, unlike patents, can be renewed forever as long as they are being used in commerce.

Whether or not you should file a trademark is up to you and your attorney. This post merely provides information on how to find out what trademarks have been applied for or granted.
How to search existing trademarks and trademark applications

Go to the Trademark Electronic Search System (TESS), click on ‘Search Trademarks’, and search for a specific word/phrase/design mark.

Detailed instructions on how to interpret the results are on the Trademark Electronic Search System (TESS) Help page.
How to keep an eye on fiction-related trademark applications

Follow CockyBot ™ on Twitter. CockyBot tweets information about recent fiction-related applications in the United States Patent and Trademark Office’s database. In addition to listing the text that someone has applied to trademark, CockyBot provides links to check on the status of the application, documentation about the application, and a URL to an Amazon search for that text.

More details about exactly what CockyBot does, as well as a number of useful links related to trademarks and the U.S. trademark process, can be found at

How-to: Create a custom URL for your Goodreads author profile

A custom URL makes it easy for your readers to go directly to your Goodreads author profile. Even if they search for you by name instead, having a custom URL looks more professional than a generated one. And it takes mere seconds to set up!


  • You have an existing Goodreads account.
  • You’re a member of the Goodreads Author Program, and therefore have an Author profile attached to your user profile.

How to set your custom URL

  • Log in to Goodreads.
  • Click your profile picture in the top right-hand corner.
  • Click ‘Profile.’


  • Your author profile page will be displayed.
  • Click ‘edit author profile’ at the top of your profile, or click ‘edit data’ which appears above the about the author section.

  • Click on ‘edit my user profile.’ Your custom URL is set on your user profile, not your author profile.

  • Set your username. This will become part of your custom URL.

  • Save your changes.
  • Go to your public author profile and verify that your spiffy new URL is displayed.



Interview: Rei Rosenquist on “A Froth of Starry Sea Foam”

“A Froth of Starry Sea Foam” is in Beauty and Wickedness, the first volume in the anthology series Ever After Fairy Tales. In this collection, sixteen authors retell and reimagine some of the most enchanting fairy tales ever told – and make up some brand new fairy tales as well. Within these pages, you’ll find beauty and treachery, magic and courage, innocence and wickedness…and at least some happy endings.

Meet Rei!

Rei is a writer of speculative fiction, a barista, a baker, and a semi-nomad. They received a Silver Honorable Mention in the Writers of the Future contest in 2016.

“A Froth of Starry Sea Foam”

“A Froth of Starry Sea Foam” is a fairy tale about a white star nebula who embarks on a quest to find love.

“But, first,” Darkness paused importantly, “you must make a deal with me.”

“A deal?” What price could be too grand for this rare chance to dodge one’s own death and, in doing so, experience love?

“You must make one of those souls fall in love with you within the time of one full cycle of the Earth’s satellite—called the moon.”

“Fall in love?” the nebula asked, confused by these words.

True, the nebula had recently learned this word “love.” Love seemed infinitely good. And yet, how could one fall into it? As an asteroid into a planet, or a smaller star into a greater one. These concepts simply didn’t go together.

“But why should I make a soul fall? Into what?”

“Into you,” Darkness explained.

Make one of Earth’s soul’s warm glow fall into this gaseous body?

But, falling was bad. Spatial bodies fell into other spatial bodies. A passing asteroid would sometimes drag some gas tendrils down into itself. A binary system would collide, and the smaller star would fall in toward the larger, being eventually consumed. Whenever this “falling” happened, the thing falling was lost. Those atoms spun into nothingness, never to return.

“You misunderstand,” Darkness cut in. “It is a good thing on Earth.”


“Humans fall in love and protect one another. They provide for one another. They support one another, hold the other up. Humans need love to live. To fall into it is to fall into the very thing that gives life.”

– from “A Froth of Starry Sea Foam” by Rei Rosenquist

The Interview

The main character in “A Froth of Starry Sea Foam” is a nebula, which is an interstellar cloud of gases and dust. What inspired you to write a fairy tale love story from a nebula’s point of view?

Although I’ve never been a research scientist myself, I am absolutely fascinated by all things science. I happened upon the field of astrophysics a couple years ago, and ever since, I have been utterly fascinated by what lies out in the furthest reaches of space. As a child, I was raised in a strict religious tradition that downplayed the importance of science for the sake of belief in a monotheistic god, and thus most of my early opinions of the natural world were skewed and inaccurate. Nowadays, when I stare up at the night sky, I often wonder what else have humans misunderstood about reality? As a fantasy writer, a fun way to explore this question is to personify a subject and see where the story takes me. For years, I was fascinated by the idea of personifying a nebula. Finally, when I was invited to write for Beauty and Wickedness, the retelling of an old fairy tale struck me as just the right story for this journey.
The two main characters (Neb, the nebula, and Wills) have different genders and pronouns. What is the distinction between the two forms in this story?

As Wills first indicates to Petra, Neb’s gender is unknown at the start. Wills doesn’t want to assume a gender, so ey use the gender-neutral “they” as a non-selective choice. However, once we re-enter Neb’s point of view, the gender-free pronoun fits best for how Neb feels. As a being outside of humanity and its gender roles and gender norms, Neb feels no personal association to such concepts. Later in the story, Orion is also referred to by the gender-neutral “they” for the same identity reason. Both nebulae would, if asked, identify as “agender,” which is a term that means “devoid of gender” or someone who simply doesn’t register gender as something to pay attention to.

On the other hand, Wills identifies as non-binary and chooses to use the pronouns ey/em/eir as a way to indicate their identity. Wills doesn’t use they/them/their because ey do feel and care about gender, as indicated by Wills strong attraction to both Ajax (who identifies as male) and Aria (who is portrayed in a very cis-female way). However, Wills’ identity doesn’t fit within the rigid lines of binary cis-male and cis-female, but rather it lies somewhere in the grey area of both/neither.

My goal in including these similar-seeming yet very different identities is to indicate to people who have no experience with such identities that there are many ways to be outside the gender norms of male and female. There are many identity expressions even within more open labels such as “non-binary,” “genderqueer,” and “genderfluid,” among others. Gender is extremely complex, and I feel the vocabulary of mainstream American English is still at the beginning stage of wrestling with new words to express just how complex it truly is. Part of the goal of this story’s pronoun usage is to give a helping hand to those lost in the waves of words.
“Seed,” which is set in your Broken Circle universe, received a Silver Honorable Mention in the Writers of the Future contest. What appeals to you about the gritty speculative future you’ve created for this group of stories?

In truth, the Broken Circle universe was developed for a gritty science-fiction novel series I am currently working on. The world is a projection of my most pessimistic opinions of what the future of humanity currently holds. If the world we live in today doesn’t turn aside in some significant ways, the future vision of the Broken Circle could very well come to be. In writing this type of world, my goal is to post a black box warning to humanity. The Broken Circle universe itself cries out viscerally for help, and in experiencing that cry through the story, my sincerest hope is that when readers put the story down, they will feel compelled to turn inward and examine their own world. By shining a light on the darkest of futures, I hope is to bring more light to the here and now.
You call yourself a semi-nomad. What is it about travel that calls to you? Do the places you’ve lived in, and those you’ve visited, feature in your fiction?

Travel, for me, has been a way of life. My first memory is of the ocean through a hotel window. For me, packed bags are a sign of opportunity and arriving in a new place is a chance to grow and learn. I call myself “semi-nomad” because I find myself circling around to the same places where I set down a kind of root. These patterns are interspersed with going to entirely new places, but in truth, always landing somewhere new can be exhausting. So, as I’ve grown and listened to my own heart and body, I’ve found a deep peace in the return to places I love. Each time I return to one of these locations, it feels like opening the door to a well-worn and well-loved home.

Without traveling as I do, my stories wouldn’t be the same. Every time I go somewhere new, I find not just new details to add into stories, but an entirely new shape of narrative. I am inspired by different things in different places, and I am compelled to write different types of stories depending on the place and its people. Each location has its own narrative, I’d say, and tapping into that is what drives the stories inside of me. If I never traveled again, I feel I would write the same tale over and over again with the same perspective and the same ending. But, when the world shifts around me, so does my lens and the kinds of details I soak in.

In a more matter-of-fact way, I have stories set in future or fantasy versions of Tokyo, Osaka, Yamanashi, Kyoto, Lisbon, Paris, London, Venice, New York, Seattle, Portland, Waikiki, and many places that are a miasma of several real places. One thing I try to avoid is writing in length about a place I have never been
Why do you feel love stories are so important to tell?

Love, and the various ways people define it, is all about connection. That connection of hearts, of one being to another. That is what I think drives life forward. For my part, I think there is nothing as important as furthering, protecting, and upholding the cycles and patterns of life. As such, the most important story I can think to tell is a story of connection. One of deep sharing, giving and growing. That for me is a “love story.” It doesn’t always deal with romance or sexuality, but rather it looks at the question of how, where, when, and why do we connect? It demands big risks and takes many chances. And, in the end, it is the type of narrative that I truly believe can change the world. For without connection, we only end up in the same cycles of unsustainable choices which lead, ultimately, to death. On the other hand, reaching out our hands to one another with hope and trust, even if we think we aren’t strong enough, can save all manners of life.

You’re a baker! What do you enjoy about baking, and what are your favorite things to bake?

At its heart, baking is much like telling a good sci-fi or fantasy story. Each baked good like each character in a story has its own tale to tell. Both are made up of details and creativity. Just as each well-written character is entirely their own, so no two scones or loaves are bread are ever the same. The key to being a good baker is just like the key to being a good writer. First, one must learn all the rules. You must understand and internalize the nitty, gritty science of the act. You must take in and understand all the details that make the thing work well. You must try and fail. Then, once you’ve trained in good scientific habits, you do just like you do in writing – you take the rules and you throw them out. You internalize professor’s recipes and then, you burn them. You mix ingredients you’ve been told never to mix. You add in ingredients that should never fit together. You let bread proof too long, not long enough, not at all. You burn scones and see what that tastes like. And then, after all that wild experimentation – you begin to understand what your own creative sense is. And then, you train in those new skills by repeating the good ones, and eventually – you are making things no one else can make. Then, you have your baking story. And you can tell it with confidence and pride, sharing with the world your unique vision of what is good.

I’m not one for choosing favorites because I often find my preferences change frequently. However, currently, I am really into yeast starters. There is so much variety in things you can use to catch wild yeasts and so much that you can do with any single yeast to alter the flavor of bread! I love all the options and room for growth in my understanding.
What story (or stories) are you working on now, and what’s fun about what you’re writing?

Currently, I’m working on a long short story that’s a blending of European noir and Japanese anime “magic girl” genres set in a future version of Tokyo. This one should be out in the next couple months.

I’m also elbows deep in edits on the first novel of the Broken Circle Series, which will hopefully be ready for public release within the next year or so. But then, writing doesn’t like schedules so maybe I just cursed myself in saying that.

The funniest thing about writing I think is the process itself. Seeing a story start as a spark in my mind, some flickering little light that I often have to write down immediately or else it slips away. Then, that spark takes me on a journey through twists and turns, across bridges, climbing to staggering heights and stumbling through forests of the deepest dark. Then, once I have the heart of the story, the journey becomes one of making maps and charting out the territory I wandered across. I nit-pick and tear details apart. And at the end of this unforgiving surgery, what I have in front of me is a story: something I want to share with others who haven’t been along on this journey with me. At each stage, the process feels different and the outcome is always refreshing, and I think that’s what keeps me going. The newness of each new attempt and the shock of joy at the end of it when I get to share with others what I’ve poured my heart into. A kind of quiet, long-lasting love story all its own.

Rei Rosenquist is a queer agender (they/them) speculative fiction writer who depicts a wide variety of identities struggling to find a place in a wide variety of speculative worlds. They are also a lifelong barista, baker, and semi-nomad.
Rei first remembers life as seen out the high window of a hotel balcony. Down below is a courtyard, swarms of brightly dressed tourists, the beach. The memory is nothing but a blue-green washed image. Warmth and sunlight. Here, they are three years old, and this is the beginning of a nomadic story-teller’s life.

Over the years, they have traveled to many countries, engaged many peoples, picked up new habits, and learned new languages. But, some things never change. For them, these are stories, coffee, food and traveling. These three passions have bloomed from hobbies, studies, and jobs into a way of life.

These days, Rei can be found somewhere in between the Pacific Northwest, Hawaii, and Japan. There, you will find Rei cozied up with a laptop obsessively writing whilst intermittently pouring beautiful latte art, baking off a batch of famous savory scones, and sharing ideas on how homo sapiens sapiens can collectively make our awesome Earthship a better (not worse) place to live.

Find Rei

Website ~ Blog ~ Facebook ~ Twitter ~ Instagram ~ Goodreads

Find Beauty and Wickedness!

Amazon ~ iBooks ~ Kobo ~ Barnes & Noble ~ Books2Read ~ Goodreads