Primary Fault, the first book in Sharon’s Schattenreich series, is set in Cologne, Germany. Sharon, a retired archeoseismologist who actually lives in Cologne herself, creates a unique, engaging, magical world which combines mythology, seismology, history, and romance.
Primary Fault is available for a limited time in The Realm of Faerie bundle.
Enter the Realm of Faerie, a world of beauty, danger, and enchantment. But remember the legends if you want to make it back home again…
Leaves of every color littered the forest floor. They smelled like sunlight and summer, and my paws rustled the leaves as I ran through them. My fur felt chilled; a faint, cold breeze whistled between the trees. Unsure of my direction through the dense thicket of trees, I kept on in what I felt was a straight path through this Königsforst. A forest fit for a king.
A bib of white fur covered my breast, and I had reddish coloring on my legs. Red wolves were very rare, almost extinct. But that’s what I was. I shook out my fur. A wooden cat talisman hung from a leather cord around my neck. Through the darkness, light blazed. It seemed far off. I felt immediately drawn, and ran towards it. It resolved, as I got closer, into a bonfire. Fire conjured a feeling of danger, but the human in me imagined warmth and companionship there. I quickened my pace.
A shadow rose in front of me, darker than dark, and blotted my view of the fire. Whatever it was moved towards me. I stopped. A bear the size of a small tree ambled closer. I did not feel scared. I started to go around, but it growled once, halting me. I tilted my head, hoping to get a sense of its purpose, but it remained standing where it was, continuing to block my progress.
Leaves rustled behind me. I turned as a graceful wildcat approached on large, thick paws. A lynx, I recognized, as it stopped a short distance away and sat on its haunches. It was larger than me by half with tufted ears edged in black and a short, bushy tail, also tipped in black. Its rich golden coat was spotted with dark brown. It watched me, curiosity showing in its consideration.
A second cat padded up and sat next to it. I recognized it as my talisman, now animated. It was not a tame house cat as I had first thought, but a thoroughly wild relation. Its markings were similar to those of a tabby, but it was larger, and had a bushy, ringed tail that it wrapped around its paws.
To my astonishment, the talisman cat spoke to me. “You should not go to the fire.” Its voice had a rich, masculine timbre.
— from Primary Fault by Sharon Kae Reamer
Primary Fault is the first book in your Schattenreich series. What inspired you to tie romance, mythology, suspense, seismology, and the netherworld together?
Pure wish fulfillment. I wanted earthquakes. And I wanted druids. And, because it’s how I roll, there needed to be romance. I had the idea that my druids, who don’t think of themselves as druids, would be highly agnostic about the deities they served.
You’ve pulled a number of elements of Celtic mythology into this series. Which were the most fun to write about?
All of it. The history of the continental Celts, the speculation about who and what the druids were (or if they even existed), and imagining what their gods were like. When I first started the series, I had one or two books on the Celts and their religion on my shelf. Now I have two whole shelves on the Celts alone and another couple of shelves on fairy tales and other ancient religions.
The Sundered Veil is a follow-on series to your Schattenreich series. How do these two series relate to each other?
If I tell you a lot of details, it would be a bit of a spoiler for the first series. I will say that there are five new characters who now not only have to explore the Schattenreich, they have to save it. It’s set in the very-near future and so will have some interesting things to explore.
Your work as both a seismologist and archeoseismologist wound its way into Primary Fault, as well as into a number of your other stories. What do you enjoy about this area of science?
I love science. I’ve had a subscription to Scientific American since 1988 or so and try to read every issue, pretty much back to front (my favorite column, Anti-Gravity by Steve Mirsky and the book reviews are in the back).
Seismology was a choice I made back when I was trying to figure out what kind of geophysicist I wanted to be. It’s something that affects everyone, whether it’s an earthquake or a volcanic tremor or even a loud truck shaking the glasses in the cabinet when it trundles by. So there’s always a way to work it into a story.
My main character, Caitlin Schwarzbach, is a seismologist, and she approaches things intuitively but always trying to figure out what the ‘data’, be it a murder or some kind of phenomenon from the Schattenreich, is trying to tell her. That’s so me.
You grew up in Texas, and now live in Cologne (Köln), Germany. Germany features prominently in your Schattenreich series. What do you enjoy about weaving real places into your stories, and what is it about Germany in particular that you like as a setting?
Setting is so important to ground stories, and I try to write about places I’ve been because it’s really hard to do a setting right when you haven’t been there and seen it, smelled it, or tasted the food (I’ve not been to the Schattenreich, but it’s a very real place to me). The light, the people, it’s all connected, and I love being able to pull all that out of my memory and put it in a story.
You weave myths and legends into many of your stories, and pull in historical elements as well—as in your short story “Alexander’s Gate,” which appears in the Monster Road Trip anthology. Do you have a favorite historical period that you like to incorporate into your writing?
The late Iron Age is one of my favorites as well as the Bronze Age, which I’m just now exploring in my non-fiction reading—I have an immortal sphinx novelette series where I’ll be doing a story from that period as well as a romance story. Also the Middle Ages because Cologne, near where I live, and much of western Europe, is still so steeped in it. It’s easy to get back to the Middle Ages if you live in Europe. I’m also playing with ideas for an alternate-history ‘Victorian’ mystery set (mainly) in Germany.
What are you working on now, and what’s fun about what you’re writing?
Putting the finishing touches on The Sundered Veil is my highest priority right now. And hugely fun to see that the Schattenreich has taken me to places I never imagined.
Alone, the short stories/novelettes that have sprung from it. The Red Stilettos, Night Shepherd, and A Recipe for Disaster have been published so far. Once Upon a Wild Hunt in America is finished as well as How I Got my Raven Prince Back. Three more are in various stages of being written/edited. They have all been amazingly fun to write as ways to explore character and the world I’ve created.
Five books for the new series are planned, each featuring one of the major characters.
And then I’m finishing up the first novel in my first science fiction series (Daughters of Earth) that I’ve had on hold forever. But it needs to get out there. The novel was a huge pain at first because I thought I wanted to write hard SF. But then, I let myself revert to type and just wrote the story that wanted to come out and ignored all the critical voices trying to tell me what it needed to be.
Then it was fun again. Especially designing the plate tectonics for three planets in a far-flung solar system. I’ve already got a couple of shorts that are related to the series bubbling around on the back burner in my subconscious.
It’s a colonization novel with…wait for it…mythology infused with science and mystery and romance. Oh, and earthquakes.
Now a full-time writer living near Cologne, Sharon Kae Reamer’s speculative fiction is inspired by her participation in various archeoseismology projects during her twenty-something years as a senior scientist at the University of Cologne. Locations that include the Praetorium and medieval Jewish settlement in Cologne, ancient Tiryns in Greece, and Greek ruins in Selinunte, Sicily, provide perfect backdrops for creating fantasy stories rich with history and mythology, such as her Immortal Guardian and Schattenreich Mystery novelette series and her five-book Schattenreich novel series.
Her love for mixing and mashing science fiction and fantasy continues unabated. Night Shepherd, in the Schattenreich universe is a spinoff (one of many) of her soon-to-be-published first novel in The Sundered Veil series, a further conception of science fantasy.
Sharon still pursues archeoseismology projects. She also cooks daily (German-English), gardens (chaotically, at best), knits (badly), does needlepoint (rather well) and reads (everything) all the damn time.
And, of course, she has cats.
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