How-to: Create a custom URL for your Goodreads author profile

A custom URL makes it easy for your readers to go directly to your Goodreads author profile. Even if they search for you by name instead, having a custom URL looks more professional than a generated one. And it takes mere seconds to set up!

Prerequisites

  • You have an existing Goodreads account.
  • You’re a member of the Goodreads Author Program, and therefore have an Author profile attached to your user profile.

How to set your custom URL

  • Log in to Goodreads.
  • Click your profile picture in the top right-hand corner.
  • Click ‘Profile.’
     

     

  • Your author profile page will be displayed.
  • Click ‘edit author profile’ at the top of your profile, or click ‘edit data’ which appears above the about the author section.
     

     
  • Click on ‘edit my user profile.’ Your custom URL is set on your user profile, not your author profile.
     

     
  • Set your username. This will become part of your custom URL.
     

     
  • Save your changes.
  • Go to your public author profile and verify that your spiffy new URL is displayed.
     

     

References

   
 

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Story spotlight: “To Be a Monster” by Jamie Ferguson

Scylla is caught by surprise when her mother, the river nymph Crataeis, shows up unexpectedly. Mother’s infrequent visits are welcome, but also serve as a painful reminder of what Scylla’s life had been like before the evil witch Circe turned her into a hideous, people-eating monster.

The cliff Scylla lives on juts out into a narrow straight of water; an arrow-shot away lives the monster Charybdis, who sucks water – and any ships unfortunate enough to be close by – down a whirlpool and into her great maw several times a day. Mother asks Scylla to allow a ship that belongs to a young man named Odysseus to pass by unharmed a few days hence; that way his boat won’t have to venture too close to the whirlpool. Scylla agrees, on the condition that her mother go to Circe and plead with her to return Scylla to her normal human form.

But when Odysseus’ ship appears, Scylla realizes that perhaps things are not as they seem…
 
“To Be a Monster” is in the Beneath the Waves collection. You can learn more on BundleRabbit, Goodreads, and the collection’s Facebook page.
 


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About the Author

Jamie focuses on getting into the minds and hearts of her characters, whether she’s writing about a saloon girl in the American West, a man who discovers the barista he’s in love with is a naiad, or a ghost who haunts the house she was killed in—even though that house no longer exists. Jamie lives in Colorado, and spends her free time in a futile quest to wear out her two border collies since she hasn’t given in and gotten them their own herd of sheep.


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Interview: Rei Rosenquist on “A Froth of Starry Sea Foam”


 
 
“A Froth of Starry Sea Foam” is in Beauty and Wickedness, the first volume in the anthology series Ever After Fairy Tales. In this collection, sixteen authors retell and reimagine some of the most enchanting fairy tales ever told – and make up some brand new fairy tales as well. Within these pages, you’ll find beauty and treachery, magic and courage, innocence and wickedness…and at least some happy endings.

Meet Rei!

Rei is a writer of speculative fiction, a barista, a baker, and a semi-nomad. They received a Silver Honorable Mention in the Writers of the Future contest in 2016.

“A Froth of Starry Sea Foam”

“A Froth of Starry Sea Foam” is a fairy tale about a white star nebula who embarks on a quest to find love.

“But, first,” Darkness paused importantly, “you must make a deal with me.”

“A deal?” What price could be too grand for this rare chance to dodge one’s own death and, in doing so, experience love?

“You must make one of those souls fall in love with you within the time of one full cycle of the Earth’s satellite—called the moon.”

“Fall in love?” the nebula asked, confused by these words.

True, the nebula had recently learned this word “love.” Love seemed infinitely good. And yet, how could one fall into it? As an asteroid into a planet, or a smaller star into a greater one. These concepts simply didn’t go together.

“But why should I make a soul fall? Into what?”

“Into you,” Darkness explained.

Make one of Earth’s soul’s warm glow fall into this gaseous body?

But, falling was bad. Spatial bodies fell into other spatial bodies. A passing asteroid would sometimes drag some gas tendrils down into itself. A binary system would collide, and the smaller star would fall in toward the larger, being eventually consumed. Whenever this “falling” happened, the thing falling was lost. Those atoms spun into nothingness, never to return.

“You misunderstand,” Darkness cut in. “It is a good thing on Earth.”

“How?”

“Humans fall in love and protect one another. They provide for one another. They support one another, hold the other up. Humans need love to live. To fall into it is to fall into the very thing that gives life.”

– from “A Froth of Starry Sea Foam” by Rei Rosenquist

The Interview

The main character in “A Froth of Starry Sea Foam” is a nebula, which is an interstellar cloud of gases and dust. What inspired you to write a fairy tale love story from a nebula’s point of view?

Although I’ve never been a research scientist myself, I am absolutely fascinated by all things science. I happened upon the field of astrophysics a couple years ago, and ever since, I have been utterly fascinated by what lies out in the furthest reaches of space. As a child, I was raised in a strict religious tradition that downplayed the importance of science for the sake of belief in a monotheistic god, and thus most of my early opinions of the natural world were skewed and inaccurate. Nowadays, when I stare up at the night sky, I often wonder what else have humans misunderstood about reality? As a fantasy writer, a fun way to explore this question is to personify a subject and see where the story takes me. For years, I was fascinated by the idea of personifying a nebula. Finally, when I was invited to write for Beauty and Wickedness, the retelling of an old fairy tale struck me as just the right story for this journey.
 
 
The two main characters (Neb, the nebula, and Wills) have different genders and pronouns. What is the distinction between the two forms in this story?

As Wills first indicates to Petra, Neb’s gender is unknown at the start. Wills doesn’t want to assume a gender, so ey use the gender-neutral “they” as a non-selective choice. However, once we re-enter Neb’s point of view, the gender-free pronoun fits best for how Neb feels. As a being outside of humanity and its gender roles and gender norms, Neb feels no personal association to such concepts. Later in the story, Orion is also referred to by the gender-neutral “they” for the same identity reason. Both nebulae would, if asked, identify as “agender,” which is a term that means “devoid of gender” or someone who simply doesn’t register gender as something to pay attention to.

On the other hand, Wills identifies as non-binary and chooses to use the pronouns ey/em/eir as a way to indicate their identity. Wills doesn’t use they/them/their because ey do feel and care about gender, as indicated by Wills strong attraction to both Ajax (who identifies as male) and Aria (who is portrayed in a very cis-female way). However, Wills’ identity doesn’t fit within the rigid lines of binary cis-male and cis-female, but rather it lies somewhere in the grey area of both/neither.

My goal in including these similar-seeming yet very different identities is to indicate to people who have no experience with such identities that there are many ways to be outside the gender norms of male and female. There are many identity expressions even within more open labels such as “non-binary,” “genderqueer,” and “genderfluid,” among others. Gender is extremely complex, and I feel the vocabulary of mainstream American English is still at the beginning stage of wrestling with new words to express just how complex it truly is. Part of the goal of this story’s pronoun usage is to give a helping hand to those lost in the waves of words.
 
 
“Seed,” which is set in your Broken Circle universe, received a Silver Honorable Mention in the Writers of the Future contest. What appeals to you about the gritty speculative future you’ve created for this group of stories?

In truth, the Broken Circle universe was developed for a gritty science-fiction novel series I am currently working on. The world is a projection of my most pessimistic opinions of what the future of humanity currently holds. If the world we live in today doesn’t turn aside in some significant ways, the future vision of the Broken Circle could very well come to be. In writing this type of world, my goal is to post a black box warning to humanity. The Broken Circle universe itself cries out viscerally for help, and in experiencing that cry through the story, my sincerest hope is that when readers put the story down, they will feel compelled to turn inward and examine their own world. By shining a light on the darkest of futures, I hope is to bring more light to the here and now.
 
 
You call yourself a semi-nomad. What is it about travel that calls to you? Do the places you’ve lived in, and those you’ve visited, feature in your fiction?

Travel, for me, has been a way of life. My first memory is of the ocean through a hotel window. For me, packed bags are a sign of opportunity and arriving in a new place is a chance to grow and learn. I call myself “semi-nomad” because I find myself circling around to the same places where I set down a kind of root. These patterns are interspersed with going to entirely new places, but in truth, always landing somewhere new can be exhausting. So, as I’ve grown and listened to my own heart and body, I’ve found a deep peace in the return to places I love. Each time I return to one of these locations, it feels like opening the door to a well-worn and well-loved home.

Without traveling as I do, my stories wouldn’t be the same. Every time I go somewhere new, I find not just new details to add into stories, but an entirely new shape of narrative. I am inspired by different things in different places, and I am compelled to write different types of stories depending on the place and its people. Each location has its own narrative, I’d say, and tapping into that is what drives the stories inside of me. If I never traveled again, I feel I would write the same tale over and over again with the same perspective and the same ending. But, when the world shifts around me, so does my lens and the kinds of details I soak in.

In a more matter-of-fact way, I have stories set in future or fantasy versions of Tokyo, Osaka, Yamanashi, Kyoto, Lisbon, Paris, London, Venice, New York, Seattle, Portland, Waikiki, and many places that are a miasma of several real places. One thing I try to avoid is writing in length about a place I have never been
 
 
Why do you feel love stories are so important to tell?

Love, and the various ways people define it, is all about connection. That connection of hearts, of one being to another. That is what I think drives life forward. For my part, I think there is nothing as important as furthering, protecting, and upholding the cycles and patterns of life. As such, the most important story I can think to tell is a story of connection. One of deep sharing, giving and growing. That for me is a “love story.” It doesn’t always deal with romance or sexuality, but rather it looks at the question of how, where, when, and why do we connect? It demands big risks and takes many chances. And, in the end, it is the type of narrative that I truly believe can change the world. For without connection, we only end up in the same cycles of unsustainable choices which lead, ultimately, to death. On the other hand, reaching out our hands to one another with hope and trust, even if we think we aren’t strong enough, can save all manners of life.
 

 
You’re a baker! What do you enjoy about baking, and what are your favorite things to bake?

At its heart, baking is much like telling a good sci-fi or fantasy story. Each baked good like each character in a story has its own tale to tell. Both are made up of details and creativity. Just as each well-written character is entirely their own, so no two scones or loaves are bread are ever the same. The key to being a good baker is just like the key to being a good writer. First, one must learn all the rules. You must understand and internalize the nitty, gritty science of the act. You must take in and understand all the details that make the thing work well. You must try and fail. Then, once you’ve trained in good scientific habits, you do just like you do in writing – you take the rules and you throw them out. You internalize professor’s recipes and then, you burn them. You mix ingredients you’ve been told never to mix. You add in ingredients that should never fit together. You let bread proof too long, not long enough, not at all. You burn scones and see what that tastes like. And then, after all that wild experimentation – you begin to understand what your own creative sense is. And then, you train in those new skills by repeating the good ones, and eventually – you are making things no one else can make. Then, you have your baking story. And you can tell it with confidence and pride, sharing with the world your unique vision of what is good.

I’m not one for choosing favorites because I often find my preferences change frequently. However, currently, I am really into yeast starters. There is so much variety in things you can use to catch wild yeasts and so much that you can do with any single yeast to alter the flavor of bread! I love all the options and room for growth in my understanding.
 
 
What story (or stories) are you working on now, and what’s fun about what you’re writing?

Currently, I’m working on a long short story that’s a blending of European noir and Japanese anime “magic girl” genres set in a future version of Tokyo. This one should be out in the next couple months.

I’m also elbows deep in edits on the first novel of the Broken Circle Series, which will hopefully be ready for public release within the next year or so. But then, writing doesn’t like schedules so maybe I just cursed myself in saying that.

The funniest thing about writing I think is the process itself. Seeing a story start as a spark in my mind, some flickering little light that I often have to write down immediately or else it slips away. Then, that spark takes me on a journey through twists and turns, across bridges, climbing to staggering heights and stumbling through forests of the deepest dark. Then, once I have the heart of the story, the journey becomes one of making maps and charting out the territory I wandered across. I nit-pick and tear details apart. And at the end of this unforgiving surgery, what I have in front of me is a story: something I want to share with others who haven’t been along on this journey with me. At each stage, the process feels different and the outcome is always refreshing, and I think that’s what keeps me going. The newness of each new attempt and the shock of joy at the end of it when I get to share with others what I’ve poured my heart into. A kind of quiet, long-lasting love story all its own.

Rei Rosenquist is a queer agender (they/them) speculative fiction writer who depicts a wide variety of identities struggling to find a place in a wide variety of speculative worlds. They are also a lifelong barista, baker, and semi-nomad.
Rei first remembers life as seen out the high window of a hotel balcony. Down below is a courtyard, swarms of brightly dressed tourists, the beach. The memory is nothing but a blue-green washed image. Warmth and sunlight. Here, they are three years old, and this is the beginning of a nomadic story-teller’s life.

Over the years, they have traveled to many countries, engaged many peoples, picked up new habits, and learned new languages. But, some things never change. For them, these are stories, coffee, food and traveling. These three passions have bloomed from hobbies, studies, and jobs into a way of life.

These days, Rei can be found somewhere in between the Pacific Northwest, Hawaii, and Japan. There, you will find Rei cozied up with a laptop obsessively writing whilst intermittently pouring beautiful latte art, baking off a batch of famous savory scones, and sharing ideas on how homo sapiens sapiens can collectively make our awesome Earthship a better (not worse) place to live.

Find Rei

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How-to: Goodreads author profile basics

There are two types of profiles on Goodreads: a user profile and an author profile.

A user profile is what every Goodreads member has – you can review books, create shelves, etc.

An author profile is an additional profile that is attached to your user profile.

Prerequisites

  • You have an existing Goodreads account.
  • You’re a member of the Goodreads Author Program, and therefore have an Author profile attached to your user profile.

If you’re not in the Author Program, follow these instructions to get set up.

One thing to keep in mind is whether or not you want to have one profile that you use as both your author and non-author selves, or create a new one to use as an author. Either way is totally fine, it’s just a question of whether or not you want everything you do on Goodreads to be associated with your author name.

How to edit your author profile

  • Log in to Goodreads.
  • Click your profile picture in the top right-hand corner.
  • Click ‘Profile.’
     

     

  • Your author profile page will be displayed.
     

     
  • Click ‘edit author profile’ at the top of your profile, or click ‘edit data’ which appears above the about the author section.
     

     

Basic author profile settings

  • Photo
    Adding a photo is simple and easy to do. If you don’t like any photos of you, put one of your cats, or a tree, or something! Otherwise you’ll get this nondescript, generic image.
     

     
  • Biography
    You can write this as text, or use HTML.
  • Influences
    If another author has influenced you, you can link to that author’s Goodreads profile.
  • Official website
    Add the URL to your author website.
  • Twitter
    Add your Twitter handle.
  • Genres
    You can select up to three genres that you write in.

More advanced author profile settings

There are other nifty things you can do, like add social media buttons to your author profile, link your author blog so previews of your posts show up on your profile, and add videos to your author profile.

References

   
 

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Story spotlight: “Lexie’s Choice” by Deb Logan


Prom is just around the corner, but Lexie has mixed emotions. The guy of her dreams has issued the invitation, but she can’t afford the kind of dress that makes her drool. Fortunately, her best friend is a faery princess. No. Really. Claire is an honest-to-goodness faery princess with flower faeries at her command. The girls want gorgeous prom dresses? No problem! The flower faeries can deliver.

Unfortunately, nothing in Faery is what it seems, and prom dresses for mortal friends carry a hefty price. Will Lexie earn her dream dress? The outcome is totally in her hands.

Too bad no one told her she’s on trial…

“Lexie’s Choice” is in The Faerie Summer bundle. You can learn more on BundleRabbit, Goodreads, and the bundle’s Facebook page.
 


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About the Author

A prolific copywriter by day, Deb Logan has been published in WMG Publishing’s Fiction River anthologies, Dreaming Robot Press’s Young Explorer’s Adventure Guide anthologies, Windrift Books’ Chronicle Worlds anthologies, and other markets. She has also released several short stories, short story collections, and novels for young readers, including the popular “Dani Erickson” series.


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Interview: Deb Logan on “Faery Beautiful”

“Faery Beautiful” is in Beauty and Wickedness, the first volume in the anthology series Ever After Fairy Tales. In this collection, sixteen authors retell and reimagine some of the most enchanting fairy tales ever told – and make up some brand new fairy tales as well. Within these pages, you’ll find beauty and treachery, magic and courage, innocence and wickedness…and at least some happy endings.

Meet Deb!

Deb Logan writes light-hearted fantasy tales for middle grade readers and young adults. She also writes fantasy and paranormal romance as Debbie Mumford. She loves mythology, and is especially fond of Celtic and Native American lore.

“Faery Beautiful”

Claire appears to be a normal teenager, but what most people don’t know is that she’s also a real live faery princess. In “Faery Beautiful” she learns how Princess Rhiannon and Eoin the Strong met and began the series of events that led to Claire becoming the heir to the throne of Faery.

Rhiannon’s faery steed raced along the enchanted river that divided Faery from the mortal realm. She glanced over her shoulder and urged the stallion to greater speed with hands and heels. She knew I would catch her if she allowed her pace to slacken. My charger, heavier boned than Rhiannon’s mount, couldn’t match her mare’s speed, but the charger’s depth of chest meant he could maintain his pace far longer.

Rhiannon, stop this nonsense. I sent my thought winging to her mind.

She bent lower over her mount’s neck and replied in kind. It’s my life, Rhydderich Drest Guerthenmach. I won’t be auctioned like a prize heifer.

You are a princess of Faery, I countered, layering my mind-voice with soothing overtones. You’ve known all your life this day would come, especially once we made it clear that we didn’t wish to marry.

Her misery bled through our mind-link and I fought to stay calm, to keep from empathizing with the tears I felt stinging her eyes. Her will faltered, and the mare slowed her pace. I had won. Rhiannon acknowledged my argument.

My princess had been raised with every comfort: beautiful clothes, rich foods, precious jewels, faery folk to entertain or obey her slightest wish. Every indulgence had been granted my dear friend. Everything but the desire of her heart. More than anything, Rhiannon craved her father’s love. The King of Faery had ensured his only child possessed every physical trinket a girl growing to womanhood could need or desire, but he had denied her his love.

– from “Faery Beautiful” by Deb Logan

The Interview

Claire, the protagonist in “Faery Beautiful,” is a teenage girl who attends high school and lives at home with her parents – but what most people don’t know is she’s also the heir to the throne of Faery! Why did you decide to have Claire have a (mostly) normal life even though she’s a faery princess?

Hmmm…this may be a convoluted answer! Claire is also the protagonist of my novel, “Faery Unexpected”, which tells the story of how she discovers that she isn’t just a normal teenager, but is in fact a faery princess.

The very first short story I published, “Deirdre’s Dragon,” held the seed of my Faery universe. It was a simple, 800-word tale written for the preteen set. But when I finished that story, I knew there was a lot more that needed to be discovered, so “Faery Unexpected” was born, and later “Faery Unpredictable” and “Lexie’s Choice.” This story, “Faery Beautiful,” is a frame story – beginning and ending with Claire and Roddy, but returning to the roots of Claire’s family and explaining how it is that a seemingly normal American girl came to be a princess of Faery.


 
 
What elements of traditional fairy tales have you incorporated into this story, and into the other tales in your Faery Adventures series?

The tale of Princess Rhiannon and Eoin the Strong is based on Welsh folklore of the Gwragen Annwn, fairy maidens who consent to wed mortal men … under certain conditions. Obviously, I arranged the details to suit my world, but the Gwragen Annwn provided the inspiration.

The rest of my Faery universe is simply inspired by a lifetime of reading, and absorbing, fairy tales!
 
 
Do you plan to write more stories in this series?

Undoubtedly. I adore Claire and Roddy and Lexie and Brent. I’m sure those characters, and the Realm of Faery itself, will call me back eventually!
 
 
In addition to Celtic mythology, you love Native American legends as well. What specifically calls to you about Native American mythology?

I’ve always been entranced by mythology in any form and dragons in particular. When I was working on “Deirdre’s Dragon,” one of the members of my writing group asked me what an obviously Celtic dragon was doing in America? Well, obviously, dragons can be wherever they want to be, but the question made me think. There are stories of dragon all over Europe and Asia, were there dragons on the North American continent as well? That’s when I decided that the Native American legends of the Thunderbird could be interpreted as a dragon … or possibly a dinosaur.

That train of thought led to my middle grade novel “Thunderbird” – featuring Native American twins Justin and Janine Prentiss who live in Bozeman, MT with their father, a renowned paleontologist. Since I once lived in Bozeman and happen to be the mother of boy / girl twins, I had a blast writing that one! A dragon-ish thunderbird and 12-year-old twins, what’s not to love?
 
 
Why are dragons your favorite fantasy creatures?

Honestly? I haven’t got a clue. They’ve just always appealed to me. Not the evil, demonic version so common in books and movies, but the misunderstood creatures of great intelligence who just want to be left alone to live their lives.

When I discovered Anne McCaffrey’s Pern series, I was in heaven. Finally, someone who understood dragons! One of the highlights of my writing career came in 2005 when I met Anne in person at a Writers of the Future function in Seattle, WA.
 
 
In addition to writing middle grade/young adult stories, you also write fiction as Debbie Mumford. One of your series, Sorcha’s Children, is set in a world where a human sorceress and a dragon lord fall in love and create a new race of beings who can change form from human to dragon at will. What do you enjoy most about this series?

“Sorcha’s Heart,” the origin of the series, gave me the opportunity to play with an entire community of dragons, but from the perspective of a human woman. Sorcha, a young and rather reckless sorceress, finds herself transformed into a dragon and taken under the wing (literally!) of a creature she’d believed to be an enemy. I had so much fun allowing Sorcha to get to know these dragons as individuals of intelligence and grace, to find that many of her preconceived ideas were based on misunderstandings, and that humans had much more in common with dragons than anyone had ever imagined.

“Sorcha’s Heart” is a love story, but it’s also a tale of looking past our biases and discovering that our similarities matter more than our differences.


 
 
What story (or stories) are you working on now, and what’s fun about what you’re writing?

As Debbie Mumford, I’m working on the final novel in my “Sorcha’s Children” series. “Dragons’ Destiny” has waited a long time to be told, and Luag and Eibhlinn are getting impatient to discover their happy endings … at least, they’re hoping I’ll give them happy endings!

As for Deb Logan, she’s launching a middle grade science fiction series tentatively titled “Galactic Cadets.” The first tale, “Cinnamon Chou: Space Station Detective,” is due to be published in May.

A prolific copywriter by day, Deb Logan has been published in WMG Publishing’s Fiction River anthologies, Dreaming Robot Press’s Young Explorer’s Adventure Guide anthologies, Windrift Books’ Chronicle Worlds anthologies, and other markets. She has also released several short stories, short story collections, and novels for young readers, including the popular “Dani Erickson” series. Find out more about Deb’s work at her website or follow her on Facebook. Be sure to join Deb’s newsletter list to receive an exclusive link to “Deirdre’s Dragon”!

Find Deb

Website ~ Facebook ~ Newsletter ~ Goodreads

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Story spotlight: “The Haunting of Melsbury Manor” by Rebecca M. Senese

Charlotte and her maid Trudy stalk the halls of Melsbury Manor, alone since the last tenants fled. But now new tenants are moving in, Andrew and his son Mark, and their presence threatens the careful equilibrium Charlotte has developed.

Will she be able to escape them?

Just who is haunting who?
 
 
 
 
“The Haunting of Melsbury Manor” is in the Haunted bundle. You can learn more on BundleRabbit, Goodreads, and the bundle’s Facebook page.
 


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About the Author

Based in Toronto, Canada, Rebecca M. Senese writes horror, science fiction and mystery/crime, often all at once in the same story. Garnering an Honorable Mention in “The Year’s Best Science Fiction” and nominated for numerous Aurora Awards, her work has appeared in Fiction River, Tesseracts, Ride the Moon, TransVersions, Deadbolt Magazine, On Spec, The Vampire’s Crypt, Storyteller, Reflection’s Edge, Future Syndicate and Into the Darkness, among others.


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Interview: Alexia Purdy on “The Ruins of Oz”


 
“The Ruins of Oz” is in the Once Upon a Quest anthology, a collection of fifteen tales of adventure, all brand new fairy tale twists from bestselling and award-winning authors. With inspirations ranging from The Ugly Duckling to Snow White, and everything in between (including trips to Camelot and Oz), these fabulous tales are full of adventure, magic, and a touch of romance.

Meet Alexia!

Alexia writes fantasy stories about faeries, vampires, and magic. She also writes contemporary romance under the pen name Tovie Bryce.

“The Ruins of Oz”

The Land of Oz was the last place Thea thought she’d find herself after falling through her mother’s enchanted mirror. If the stories she’s been told are real, why is the Emerald City in ruins?

“I—I need to go.” I spotted my boots sitting at the end of the bed and yanked them on. “Is there anyone who could tell me where I might find someone who can return me to Kansas?”

Mally pressed her lips tightly, frowning at my question.

“Well, there is one person, but that old tart doesn’t enjoy visitors and is dangerous. She lives in one of the towers still left standing in the great city. It used to be a watchtower for the Emerald City. In the city… it’s dreadful, and most say it’s haunted. That’s why Minkin don’t ever go there.”

“What’s her name?”

Mally shrugged. “We don’t say her name. She’s just an old hag now.”

“Um, all right. How do I get to the Emerald City?”

“It used to be you could follow the Yellow Brick Road, but it’s been left to ruin for decades since the—”

“End of all things. I get it. Can I still follow it?”

Mally frowned, appearing frightened more than anything. “It’s intact in some places. In others, it’s only stones here and there, under the grasses, bushes, and darkness.”

“Darkness?”

“It starts near the edge of town by the old wishing well. Right by the old ruins of Dorothy’s house. You know, the one she used to kill the Wicked Witch of the East.”

– from “The Ruins of Oz” by Alexia Purdy

The Interview

 
 
“The Ruins of Oz” is based on The Wizard of Oz. What inspired this choice?

Honestly, it was a story I had stuck in the back of my head for a while. I loved the take that the movie Return to Oz took but it wasn’t exactly what I imagined a post apocalyptic Oz to look like, so I guess I tried to convey my own kind of spin to the original story ending in a not so cozy way. What happens if Dorothy was the whole reason Oz existed and what if she never came back?
 
 
You’ve been a part of the Once Upon anthology series from the beginning. How did the series begin, and what do you enjoy about participating in it?

I’m so privileged to be pals with Anthea Sharp whom I’ve partnered with in several Faery anthologies before these came about. When she suggested the first of the trio of Once Upon anthologies, I leaped at the chance to work with her on it. She’s a brilliant organizer and I love to participate in anything she does. So much love for the woman.


 
 
What are some of the traditional faerie myths you incorporated into your Dark Faerie Tale series, and why did you choose them?

My Dark Faerie series is loosely based on the Unseelie and Seelie courts of Celtic mythology, which I loved to read about and was so immersed into, I had to write something with my own twists and turns. I was fascinated by the idea that faeries could be good and could be evil but you wouldn’t really know until you faced them, and even then, loyalty was something that wasn’t easily given. Magic is always fun to write about, especially when I could spin my own lore and modernize it in ways readers could understand could happen in today’s world. Now eight books into it, I seriously can’t believe there was so much to say about that world but it’s been quite the adventure to meet the characters and flesh them out. They are each unique and fantastical in so many ways.
 

 
You’re turning “The Glass Sky,” your short story in Once Upon a Kiss, into a series. Why did you decide to provide early access to the chapters of the first novel on Patreon?

The Glass Sky has been my favorite story to write for the Once Upon Anthologies and I recieved amazing feedback on it from my readers. They wanted more! I’ve held off for several reasons but when I decided to open a Patreon account to deliver stories and exclusive content more easily to my readers without having to deal with the low views that Facebook and Amazon now provide, I researched Patreon after seeing a couple of my favorite authors on there getting up close and personal with their patrons and really getting to connect far easier than the platforms I traditionally shared on. The Glass Sky was the perfect project! I’ve been wanting to expand it into a trilogy and this was the perfect chance to do it while still keeping it exclusive and not out in the full public. I seriously am having fun jumping back into this fairytale retelling world loosely based on the tale of King Thrushbeard. I hope people check it out.
 
 
How much of the city in your Vampires of Vegas series is based on your real-life experience living in Las Vegas?

So much of it is based on my experiences of places in Las Vegas. I practically wrote all the sites from memory of being in each place. I’ve been here in Vegas for 28 years now and I used to work in a Casino on the Las Vegas Strip. It never ceases to amaze me how many hidden corridors, doorways, nooks and crannies are kept from the public view and the thought occurred to me that it was the perfect scenario to get lost in when the world really died off and a new species of people emerged.
 

 
In addition to writing fantasy, you write contemporary romance under the name Tovie Bryce. What do you have planned for this pen name?

I honestly am trying to build a contemporary romance readership, and I’ve been trying to do so for years, but under my own name. After much failure on that part, I decided separating the genre from my best selling stuff in YA Fantasy/Paranormal would be the best way to get a more focused audience. My readers don’t cross over. Yes, it’s been like starting over but I have another book in my City of Lights series planned plus a contemporary sweet romance based on some of my experiences coming of age. You can see why I wouldn’t want my name associated with it as much but I am not keeping the pen name a secret, just in case I do have some readers following along the romance branch.
 
 
What story (or stories) are you working on now, and what’s fun about what you’re writing?

I’m currently working on my Accursed Archangels series. It’s basically taken over almost every working hour lately and I literally attempted to write it in a month. The outline for it came to me in just a couple hours, literally this story possessed me. I got book 1 done in six weeks, so a bit over the timeline I wanted but it’s been an amazing time honing down my organizational skills in writing. The first book is titled The Unbreakable Curse and is due out March 27th. Book 2 is titled The Cursed Labyrinth due out in late May 2018, and book 3 is called The Irredeemable Soul due out July 2018.
 

Alexia currently lives in Las Vegas, Nevada–Sin City! She loves to spend every free moment writing or playing with her four rambunctious kids. Writing has always been her dream and she has been writing ever since she can remember. She loves writing paranormal fantasy and poetry and devours books daily. Alexia also enjoys watching movies, dancing, singing loudly in the car, and Italian food.

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New release: Beauty and Wickedness

Dangerous spirits lurk in the woods
A bargain can bind a soul
Enchanted sleep can only be broken by true love’s kiss…

You know these things are true…even in this modern world. Your heart still recognizes the power and mystery you can only find in a fairy tale.

In Beauty and Wickedness, the first volume in the anthology series Ever After Fairy Tales, sixteen authors retell and reimagine some of the most enchanting fairy tales ever told. Within these pages, you’ll find beauty and treachery, magic and courage, innocence and wickedness…and at least some happy endings.

Come and lose yourself in the delights and dangers of Beauty and Wickedness.

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Story spotlight: “The Ballad of Molly McGee” by DeAnna Knippling


Witches weave curses out of words; the less you use ‘em, the more powerful they are. Blessings are weaker—but you can use them more often, wear them in like shoes.

Judith’s red-headed granddaughter Molly, also a witch, curses her way through life, and now look at her—pregnant, a widow, and an adulteress with the spirit of a mountain to boot. Not that Judith can complain; it’s only been time that’s worn off her own rough edges. And what else is a grandmother to do, but love her grandbaby?

Now it’s time for the baby to be born, to a powerful witch who can’t be touched by painkillers, with a father who’s being strip-mined by a company town, in a cabin at the top of the sky, and a midwife who’s tired of the drama.

What else could possibly go wrong?

And of course there has to be a storm rolling in…

“The Ballad of Molly McGee” is in the Witches’ Brew bundle. You can learn more on BundleRabbit, Goodreads, and the bundle’s Facebook page.


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About the Author

DeAnna Knippling is a writer, a parent, and an overthinker who boldly paranoids where no one has paranoided before. Her superpower is speed reading. She ghostwrites novels for fun and profit. She has an essay in the award-winning Women Destroy Science Fiction! collection. She has had stories published in Penumbra, Three-Lobed Burning Eye, Black Static, and more. Her latest novel, Alice’s Adventures in Underland: The Queen of Stilled Hearts, comes out of her obsession with all things Alice. She writes books for middle-graders as De Kenyon.


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